On the whole, the sheer liveliness of spirit behind the book’s playful words and color-drenched illustrations carries the day
While some poetic license has been taken with wording ("auto" is more widely used in India to refer to the titular vehicle than "tuk tuk"), Sehgal and Sehgal deliver a catchy, if at times stereotype-embracing, Indian version of the beloved classic children's song “Wheels on the Bus.”
Based on the whizzing shenanigans of the phenomenon that is the three-wheeled auto-rickshaw, the lively illustrations and rollicking rhymes ("Tuk tuk riders eat / poppa-doppa-doms / poppa-doppa-doms / poppa-doppa-doms") are sure to be crowd pleasers, especially for read-alouds and storytimes. Golden's humorously quirky watercolors warmly portray the whirl of activity on busy Indian city streets as well as the beautiful diversity of the people who populate those streets. From grannies with glasses to ladies with topknots, from a serene yogi pronouncing "Om" from the top of a rickshaw to little girls with golden hoops in their ears, from bemused Western tourists to lively families of many shades, the characters invite readers to absorb and embrace the fun. Some quibbles about authenticity may surface for readers familiar with Indian culture: are saris really just nonpleated, over-one-shoulder dresses? Does a book about India need to be packed with an om-pronouncing yogi and an elephant and a cow and Diwali fireworks, really?
On the whole, the sheer liveliness of spirit behind the book’s playful words and color-drenched illustrations carries the day . (Picture book. 4-8)Pub Date: Nov. 3, 2015
ISBN: 978-1-4814-4831-4
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Sept. 15, 2015
PERSPECTIVES
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
A fair choice, but it may need some support to really blast off.
This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.
Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.
A fair choice, but it may need some support to really blast off. (Picture book. 6-8)Pub Date: July 31, 2018
ISBN: 978-1-338-18949-0
Page Count: 32
Publisher: David Fickling/Phoenix/Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
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