Directly after the prologue, the narrative begins with the U.S. Capitol, built by slaves and freeman before Nelson steps...
In an undertaking even more ambitious than the multiple-award-winning We Are the Ship (2008), Nelson tells the story of African-Americans and their often central place in American history.
Directly after the prologue, the narrative begins with the U.S. Capitol, built by slaves and freeman before Nelson steps back and shows the intricate ways American and African-American history were intertwined from the earliest days of the country’s founding. Using an unnamed female narrator, Nelson fashions a unique mode of storytelling that is both historical and personal. The narrator guides readers through major events in American history through the perspective of, first, enslaved people, then those legally free but hindered by discrimination and, finally, citizens able to fully participate in American life following the Civil Rights Movement. As with any work by this talented artist, the accompanying illustrations are bold and arresting. The dramatic oil paintings heighten the dignity of this story, whether they are of well-known historical figures, common folk or landscape. With such a long time period to cover, the careful choices Nelson makes of which stories to tell make this a successful effort. While there is little room for historical nuance, Nelson does include the way events such as World War I and the fight for woman suffrage affected the Black community.Pub Date: Sept. 27, 2011
ISBN: 978-0-06-173074-0
Page Count: 108
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
Deftly written and informative; a call for vigilance and equality.
An examination of the history of Chinese American experiences.
Blackburn opens with a note to readers about growing up feeling invisible as a multicultural, biracial Chinese American. She notes the tremendous diversity of Chinese American history and writes that this book is a starting point for learning more. The evenly paced narrative starts with the earliest recorded arrival of the Chinese in America in 1834. A teenage girl, whose real name is unknown, arrived in New York Harbor with the Carnes brothers, merchants who imported Chinese goods and put her on display “like an animal in a circus.” The author then examines shifting laws, U.S. and global political and economic climates, and changing societal attitudes. The book introduces the highlighted people—including Yee Ah Tye, Wong Kim Ark, Mabel Ping-Hua Lee, and Vincent Chen—in relation to lawsuits or other transformative events; they also stand as examples for explaining concepts such as racial hierarchy and the model minority myth. Maps, photos, and documents are interspersed throughout. Chapters close with questions that encourage readers to think critically about systems of oppression, actively engage with the material, and draw connections to their own lives. Although the book covers a wide span of history, from the Gold Rush to the rise in anti-Asian hate during the Covid-19 pandemic, it thoroughly explains the various events. Blackburn doesn’t shy away from describing terrible setbacks, but she balances them with examples of solidarity and progress.
Deftly written and informative; a call for vigilance and equality. (resources, bibliography, image credits) (Nonfiction. 10-14)Pub Date: March 26, 2024
ISBN: 9780593567630
Page Count: 288
Publisher: Crown
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
A tribute to young people’s resistance in the face of oppression.
In 1983 South Korea, Kim was learning to navigate university and student political activism.
The daughter of modest restaurant owners, Kim was apolitical—she just wanted to make her parents proud and be worthy of her tuition expenses. Following an administrator’s advice to avoid trouble and pursue extracurriculars, she joined a folk dance team where she met a fellow student who invited her into a banned book club. Kim was fearful at first, but her thirst for knowledge soon won out. As she learned the truth of her country’s oppressive fascist political environment, Kim became closer to the other book club members while the authorities grew increasingly desperate to identify and punish student dissidents. The kinetic manhwa drawing style skillfully captures the personal and political history of this eye-opening memoir. The disturbing elements of political corruption and loss of human rights are lightened by moving depictions of sweet, funny moments between friends as well as deft political maneuvering by Kim herself when she was eventually questioned by authorities. The art and dialogue complement each other as they express the tension that Kim and her friends felt as they tried to balance school, family, and romance with surviving in a dangerous political environment. References to fake news and a divisive government make this particularly timely; the only thing missing is a list for further reading.
A tribute to young people’s resistance in the face of oppression. (Graphic memoir. 14-adult)Pub Date: May 19, 2020
ISBN: 978-1-945820-42-7
Page Count: 192
Publisher: Iron Circus Comics
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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