An honest, affecting journey of self-discovery.

EX-RICH GIRL TELLS ALL

MY TRUTH BEHIND CLOSED DOORS

A woman starts over after losing her sense of security in this gritty memoir of survival and growth.

Corban’s brutally honest, revealing story follows her physical and emotional journey when she reaches an unforeseen impasse. Growing up as one of four privileged children, she had seemingly every opportunity open to her. Her parents’ wealth afforded her a sense of security and even royalty, but it didn’t mask her parents’ unhappiness. The night before her graduation from Duke University, Corban was shocked to discover—via a postscript at the end of a note from her mother—that her parents would be divorcing. Mind reeling, Corban escaped to London, where her boyfriend, Tucker, had just moved and where she hoped to find her own happy ending. But, Corban discovered, running from one relationship to another didn’t provide the comfort she craved; in fact, her boyfriend and supposed future husband had moved in with someone else. As the doors slammed around her, she learned to take care of herself in ways she never had to before. Corban’s explorations include a devastating stay in a cold convent, a disastrous waitressing job at a high-end hotel in England and a stint as a resident director at Western Carolina University. But as she moves from job to job and state to state, one thing remains with her: the haunting sense that her family left her with wounds that won’t heal until she faces them. Set against the blunt backdrop of family conflict, Corban’s story resonates as a coming-of-age tale that looks at finding the wherewithal and strength to provide for yourself when no one else will. Told in a straightforward, plainspoken manner, this smooth read unfurls with moments of humor, pathos and inspiration.

An honest, affecting journey of self-discovery.

Pub Date: Dec. 3, 2012

ISBN: 978-1479395569

Page Count: 286

Publisher: CreateSpace

Review Posted Online: Dec. 28, 2012

Kirkus Reviews Issue: Feb. 1, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

HAPPY-GO-LUCKY

Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.

In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.

A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

Pub Date: May 31, 2022

ISBN: 978-0-316-39245-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: March 11, 2022

Kirkus Reviews Issue: April 1, 2022

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