Originally self-published online, this tale reads more as impassioned fanfiction than a fully realized, judiciously edited...
A scarred survivor must decide if she will be predator, prey, or something more.
Violently orphaned, then tortured, 17-year-old Janneke has spent a century in Permafrost as a goblin thrall. When the Erlking’s death sets off the Hunt for the white stag, Janneke accompanies her current master, Soren. Together, they must stop Lydian—Janneke’s abusive first captor and Soren’s maniacal uncle—prevent a war, decide Janneke’s humanity, and resolve their unusual relationship. Video game–like action sequences, obligatory fae political machinations, unnecessary mystical ordeals, random animal slaughter, and melodramatic brooding ensue. Suffering from chosen one syndrome—prophecies, magical birth, inexplicable uniqueness, and desirability—Janneke survives the Hunt through stubbornness, specialness, and a repeatedly mentioned but superficially discussed childhood of being raised as a male heir (she reserves the feminine form of her name, Janneka, for intimates). Russet-haired, green-eyed Janneke has dark skin and suggested Scandinavian origins, while Soren is white-haired, purple-eyed, and blue-gray skinned. Dazzling descriptions and morbid humor aside, debut author Barbieri eschews original dialogue and subtlety in favor of anachronisms, clichés, blunt moralizing, and insensitive treatment of sexual abuse.
Originally self-published online, this tale reads more as impassioned fanfiction than a fully realized, judiciously edited novel; best for existing fans. (Fantasy. 16-adult)Pub Date: Jan. 8, 2019
ISBN: 978-1-250-14958-9
Page Count: 368
Publisher: Wednesday Books
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
BOOK REVIEW
With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for...
A glimpse of the characters dealing with rebuilding and fallout after A Court of Wings and Ruin (2017).
In a change of pace from the usual epic struggle against powerful forces, this slimmer-than-usual volume follows the cast during the festive Winter Solstice holiday. Nods to trouble on the horizon (dissent in the Illyrian ranks, Fae courts eyeing for expansion, and a politically fraught situation among humans) remain distant, the lack of progress at times resulting in frustrating repetition. Cassian’s and Mor’s backstories are explored, and prickly Amren’s low-key relationship storyline is supplemented by her High Fae adjustments (including bodily humor). While Elain is becoming more comfortable, she still wants nothing to do with Lucien (who feels like an outsider nearly everywhere and has his hands full with a self-destructive Tamlin). Severely struggling Nesta self-medicates through alcohol, meaningless sex, pushing everyone away, and finding every last seedy corner of the otherwise utopian Velaris. While Rhys handles politics, Feyre’s storyline revolves around Solstice shopping and art’s potential for healing trauma—when the lovers aren’t telepathically sexting or craving each other. Aside from occasional minor characters, most of the inhuman cast seem white. Several plotlines are predictably resolved.
With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for readers who’d prefer downtime with the characters over high stakes. (map, preview of next title) (Fantasy. 16-adult)Pub Date: May 1, 2018
ISBN: 978-1-68119-631-2
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
SEEN & HEARD
SEEN & HEARD
Exciting concept; underwhelming execution.
Once a year in the city-island of Caldella, the powerful Witch Queen leaves her Water Palace to find her true love, whom she must drown to appease the dark tide of the ever hungry ocean.
Thomas Lin is the only boy who’s ever escaped—by convincing the last Witch Queen to drown herself instead. Ever since then, her sister, Eva, who is the new Witch Queen, has been unable to appease the dark tide—she’s felt nothing for the boys she’s sacrificed. When Thomas is chosen a second time, Lina, a town girl with a crush, decides to rescue Thomas from the Water Palace and volunteer as sacrifice to make sure both Thomas and her own brother stay safe. As Lina and Eva spend more time together, they realize that they have a surprising amount in common: their love for their siblings, their desperation to change the sacrificial system, and their desire for one another. The close third-person narration is focalized alternately through Lina and Eva, and although Lina’s perspective provides greater depth, the narrative voice for each is removed, with more telling than showing. Characters are racially ambiguous but often implied through skin tone to be nonwhite. Diverse sexualities and gender expressions are also implied, but heteroromanticism is disappointingly the default.
Exciting concept; underwhelming execution. (Fantasy. 16-18)Pub Date: Aug. 4, 2020
ISBN: 978-1-7282-0998-2
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: March 10, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
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