by Karen Ann Hopkins ‧ RELEASE DATE: March 14, 2014
A well-crafted tale of murder begotten by the collision of two incompatible worlds.
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A murder mystery that exposes the secretive world of an Amish community.
Serenity Adams has only been the sheriff of Blood Rock for a month when an Amish girl’s dead body is discovered. Hardened by a turn as a cop in the big city, Serenity suspects foul play despite some initial evidence that the girl could be the victim of a hunting accident. Serenity gradually learns that Naomi, the 18-year-old victim, was embroiled in two steamy romances at the same time, one with the Amish boy to whom she was engaged, another with an outsider who promised her the life of freedom she’d never known. The story is told from shifting perspectives: In flashbacks, both Serenity and Naomi get turns relating their tales, as does Daniel, the ruggedly handsome contractor who, having once been Amish, is helpful to Serenity’s investigation. Serenity finds herself constantly stymied by the insular Amish community, inhospitable to outsiders even if they carry the authority of law. Debut author Hopkins sensitively dissects that community’s inner workings, highlighting its struggle to resist influence from without, sometimes resorting to measures so draconian as to drive away its own members. The community’s impenetrability mirrors Serenity’s own emotional defensiveness, as evidenced by the way she tries to tame her gathering feelings for Daniel: “I felt a sudden wave of nervousness. I’d already been dealing with a fit of embarrassing shyness ever since Daniel had picked me up in his hard bodied (sic) Jeep and told me how nice I looked. What did he mean?” The narrative marches on to a steady beat, crescendoing in a violent conclusion made only slightly less exciting by the heavy-handed foreshadowing of the killer’s identity. Nevertheless, the suspense can be gripping and the insight into Amish life, fascinating.
A well-crafted tale of murder begotten by the collision of two incompatible worlds.Pub Date: March 14, 2014
ISBN: N/A
Page Count: 293
Publisher: CreateSpace
Review Posted Online: Jan. 14, 2015
Review Program: Kirkus Indie
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw
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by Roy Jacobsen translated by Don Bartlett & Don Shaw
BOOK REVIEW
by Roy Jacobsen & translated by Don Bartlett & Don Shaw
by Ruth Ware ‧ RELEASE DATE: July 19, 2016
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
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