MR. WILLIAMS

Mr. J.W. Williams grew up in rural Louisiana during the Depression. He tells of his large family surviving by hard work, faith and love. Each family member contributed, including the horses and mules. But there is also storytelling of traditional folktales and mouthwatering home cooking using the foods produced on the farm. There is a sense of the rhythm of the seasons filled with sights, sounds, smell and touch. As an African-American of his time, he could not escape the fear that accompanied the ugliness of bigotry, but he does not allow it to sour the loving remembrances. In an author’s note, Balfour explains that she has attempted to faithfully adhere to the stories she heard directly from Mr. Williams. The wonderful folk art–style gouache-and-ink illustrations are filled with lovely color and perfectly match the simplicity of the text. What a delightful way to show young readers “how it was back then.” (Picture book/nonfiction. 6-10)

Pub Date: Sept. 1, 2005

ISBN: 0-8050-6773-6

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2005

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SAINT VALENTINE

The most interesting feature of this retelling of a story about a saint martyred in A.D. 270 is the art, a meticulous re- creation of the medium of its subject's period. Using thousands of tiny, rectangular pieces resembling tiles, Sabuda replicates the effect of Roman mosaics. His simple designs and harmonious, gently muted colors are pleasing, and he achieves surprising subtleties of expression, considering the intractability of the medium. Actually, the illustrations work even better from a slight distance (as with a group), so that the demarcations between the tiny pieces are less predominant. The technique, which tends to congeal the action, makes relatively undramatic illustrations; still, it's a fascinating experiment that brings the ancient world to life by paying tribute to its art rather than by picturing it in a modern style. The straightforward narrative centers on Valentine as a physician whose ointment restores the sight of a jailer's blind daughter, long the saint's friend. It's implied that the long-awaited cure takes place at the moment of his offstage death; the story ends with the joy of the child's renewed vision. An unusual and attractive rendition. Historical note. (Nonfiction/Picture book. 6-9)

Pub Date: Oct. 30, 1992

ISBN: 0-689-31762-X

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 1992

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THE FANTASTIC UNDERSEA LIFE OF JACQUES COUSTEAU

This second early biography of Cousteau in a year echoes Jennifer Berne’s Manfish: A Story of Jacques Cousteau (2008), illustrated by Eric Puybaret, in offering visuals that are more fanciful than informational, but also complements it with a focus less on the early life of the explorer and eco-activist than on his later inventions and achievements. In full-bleed scenes that are often segmented and kaleidoscopic, Yaccarino sets his hook-nosed subject amid shoals of Impressionistic fish and other marine images, rendered in multiple layers of thinly applied, imaginatively colored paint. His customarily sharp, geometric lines take on the wavy translucence of undersea shapes with a little bit of help from the airbrush. Along with tracing Cousteau’s undersea career from his first, life-changing, pair of goggles and the later aqualung to his minisub Sea Flea, the author pays tribute to his revolutionary film and TV work, and his later efforts to call attention to the effects of pollution. Cousteau’s enduring fascination with the sea comes through clearly, and can’t help sparking similar feelings in readers. (chronology, source list) (Picture book/biography. 6-8)

Pub Date: March 24, 2009

ISBN: 978-0-375-85573-3

Page Count: 40

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2009

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