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FOLLOWING POLLY

Although Bergreen is a professional comedian, the humor falls flat while the mystery lacks punch because neither the...

In her debut as a novelist, Bergreen attempts a comic murder mystery cum romance about a young woman who comes under suspicion when the semi-celebrity she’s been stalking is murdered.

Despite her Harvard pedigree, her great looks and a pitch-perfect memory for details that would make her an ideal private eye, 32-year-old Manhattanite Alice is a self-proclaimed sad sack without professional ambition or a love life—she has had a crush on a man she’s called Charlie since college even though he doesn’t know she exists. Within hours after Alice is fired from her latest job, she begins to follow Polly, a woman she has hated and envied since their student days. Always the golden girl, as well as stereotypical mean girl, Polly is now married to a famous movie director and heads her own wildly successful lingerie company. For weeks Alice trails Polly to various appointments, some obviously trysts, and finally into a boutique dressing room where she finds Polly’s dead body. Soon Alice is a suspect on the lam. In desperation she turns to Charlie (real name Walter) whom she has seen in a restaurant talking to one of the policemen on her trail. A lawyer, Charlie/Walter has been trying to clear his father’s name after a scandal. With his legal and her instigative skills, they work together to prove that both innocent parties are blameless. It’s no surprise when romance blooms. Meanwhile, the murderer strikes again, killing Alice’s former boss, a casting director deeply involved in the movie Polly’s husband has been directing. The author loads her story with a jarring mix of comic and melodramatic details, from Alice’s blind date with Walter/Charlie’s father to her life among the homeless to the dated, bordering on homophobic, motive given to the murderer. 

Although Bergreen is a professional comedian, the humor falls flat while the mystery lacks punch because neither the characters nor the author seem to take it seriously.

Pub Date: June 1, 2010

ISBN: 978-0-312-57109-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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