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THE QUEEN’S GOVERNESS

All in all, a lively and historically grounded reimagining of two Tudor survivors.

Harper, author of an inventive, long-running mystery series starring Elizabeth I as sleuth (The Hooded Hawke, 2007, etc.), now depicts the monarch through the eyes of her most loyal courtier.

Like her eventual mentor Thomas Cromwell (Henry VIII’s fixer-in-chief), Kat Champernowne is of humble origins. Her father, a beekeeper from an impoverished branch of Devonshire nobility, doesn’t seem unduly upset by the suspicious drowning of Kat’s mother Cecily. With scandalous haste, he marries the vain, scheming hussy who was the last person to see Cecily alive. Kat yearns to escape Maud, who treats her as a drudge and nursemaid for a growing brood of half-siblings. Her chance comes when she does a good turn for Cromwell, who procures her an education at the manor house of wealthy distant relations. Then she’s off to Henry’s court to serve Anne Boleyn—and to spy on her for Cromwell. Kat’s devotion to Anne extends through her coronation and her execution approximately 1,000 days later. Shortly before she faces the headsman, the doomed queen gives Kat a ruby locket-ring with facing portraits of Anne and her daughter Elizabeth, whose gender precipitated her swift fall from favor. She begs Kat to cherish and protect the princess always. Elizabeth’s mettle is severely tested: She’s disinherited in favor of younger brother Edward, very nearly seduced by villainous rake Thomas Seymour (who raped Kat in her early days at court), displaced again by her cousin Jane Grey’s ill-fated coup, followed by her elder sister Mary’s accession to the throne. While treading the delicate line between deference and the discipline young Elizabeth sorely needs, Kat outwits and outlives Seymour and his many blackmail attempts. She confounds her questioners during two prison terms endured as a result of various power shifts. Unfortunately, perhaps because of scant written records concerning Kat, she’s a much sketchier character than her royal charge.

All in all, a lively and historically grounded reimagining of two Tudor survivors.

Pub Date: Jan. 1, 2010

ISBN: 978-0-399-15618-2

Page Count: 368

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2009

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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