by Karen Hesse ‧ RELEASE DATE: Sept. 1, 2001
In this stunning piece of little-known American history, Hesse (Stowaway, 2000, etc.) paints small-town Vermont on the brink of self-destruction circa 1924. The narrative poetry format has fitting roots in “The Spoon River Anthology.” Eleven characters speak revealingly for themselves to describe a year in which the Ku Klux Klan arrives, seduces many solid citizens, moves from intimidation to threat to violence, and is finally rejected by the tolerant, no-nonsense townsfolk. Central to the story are two children, one an African-American named Leanora, and the other, a Jewish fresh-air child from New York, named Esther. As targets of prejudice, the lives of both are affected by the actions of the KKK: Leanora is the victim of racist remarks and threats, and Esther sees her father shot while she’s sitting on his lap. The story is all the more haunting for its exquisite balance of complex and intersecting points of view on gender, ethnicity, politics, religion, and money. The setting is well developed through subtly embedded period details of everyday Vermont life (a broom sale creates a stampede) and incidents of national historical significance (the Leopold and Loeb trial). The voices of each character have a distinct resonance, but the voice of Esther, the moral center of the book, is memorable. It has a unique beauty and style created by Esther’s innocent and hopeful way of expression, but revealing of her immigrant roots in New York. This is carefully crafted, with Leanora, who evolves and grows in wisdom and understanding, being given the first and last word. What Copeland created with music, and Hopper created with paint, Hesse deftly and unerringly creates with words: the iconography of Americana, carefully researched, beautifully written, and profoundly honest. (Fiction. 10-14)
Pub Date: Sept. 1, 2001
ISBN: 0-439-27199-1
Page Count: 176
Publisher: Scholastic
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by Tae Keller ‧ RELEASE DATE: Jan. 28, 2020
Longing—for connection, for family, for a voice—roars to life with just a touch of magic.
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A young girl bargaining for the health of her grandmother discovers both her family’s past and the strength of her own voice.
For many years, Lily’s Korean grandmother, Halmoni, has shared her Asian wisdom and healing powers with her predominantly White community. When Lily, her sister, Sam—both biracial, Korean and White—and their widowed mom move in with Halmoni to be close with her as she ages, Lily begins to see a magical tiger. What were previously bedtime stories become dangerously prophetic, as Lily begins to piece together fact from fiction. There is no need for prior knowledge of Korean folktales, although a traditional Korean myth propels the story forward. From the tiger, Lily learns that Halmoni has bottled up the hard stories of her past to keep sadness at bay. Lily makes a deal with the tiger to heal her grandmother by releasing those stories. What she comes to realize is that healing doesn’t mean health and that Halmoni is not the only one in need of the power of storytelling. Interesting supporting characters are fully developed but used sparingly to keep the focus on the simple yet suspenseful plot. Keller infuses this tale, which explores both the end of life and coming-of-age, with a sensitive examination of immigration issues and the complexity of home. It is at one and the same time completely American and thoroughly informed by Korean culture.
Longing—for connection, for family, for a voice—roars to life with just a touch of magic. (Fiction. 10-14)Pub Date: Jan. 28, 2020
ISBN: 978-1-5247-1570-0
Page Count: 304
Publisher: Random House
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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by Tae Keller ; illustrated by Geraldine Rodríguez
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by Crystal Allen ‧ RELEASE DATE: Feb. 22, 2011
This stands out for its unusual setting and smooth integration of friendship and family concerns. (Fiction. 10-14)
Sucked into "business" with a crooked classmate, bowling fanatic Lamar Washington makes good money faking his skills, but when a disruptive prank reveals his new friend Billy’s duplicity, he realizes how wrong it was to aim to be “the smoothest baddest dude” in Coffin, Ind.
This refreshing first novel is told in the first person with plenty of snappy dialogue by a smart African-American middle-schooler whose asthma has kept him out of the usual sports and whose older brother, a basketball star, consistently taunts him. Lamar’s new friendship threatens both a longstanding one and a promising new relationship with a girl. Tension mounts as Lamar is drawn further into an unsavory gambling world, realizing that his cheating is wrong but thrilled to have the cash to buy a Bubba Sanders bowling ball. A final, seriously physical fight with his brother leads to climactic arrests. The drab rigidity of Camp Turnaround, where Billy is incarcerated, contrasts with the excitement of the bowling alley Lamar loves. His grounding and community service seem appropriate. His understanding of the consequences of his prank fire alarm, both for his brother and for his basketball-mad small town, comes slowly and realistically, and the solution of his family issues is satisfying.
This stands out for its unusual setting and smooth integration of friendship and family concerns. (Fiction. 10-14)Pub Date: Feb. 22, 2011
ISBN: 978-0-06-199272-8
Page Count: 288
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Jan. 10, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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