A shrewd, illuminating, and entertaining exploration of the twisted roots of writerly creativity.
Behind the gangsters, corrupt plutocrats, stoic gumshoes, and femmes fatales hovers Dr. Sigmund Freud, who masterminds the mayhem in classic private-eye stories, according to this study in Freudian lit-crit.
Like a shrink decoding a patient’s dreams, Karydes reads the roiling imagery of sex, violence, and betrayal in the stories and novels of Dashiell Hammett, Raymond Chandler, and Ross Macdonald in light of these authors’ own troubled family histories. Thus, Hammett’s strained, guilty relationship with his ne’er-do-well father and his mother, who had to shoulder the family’s responsibilities, works its way into idyllic scenes of a neophyte detective and the fatherly boss who mentors him and darker stories of scornful wives turning on failed husbands. Chandler’s clingy mother and self-loathing homosexuality are transformed into sexually voracious women and eye-popping male beauties who beguile his lonely hero, Philip Marlowe. Macdonald’s even clingier, schizophrenic mom appears in his novels in a series of quasi-incestuous relationships between older women and younger men. Freudian interpretations are a natural for private investigator stories. The detective plays the hard-pressed ego, charged with guarding a moralistic superego, embodied in the social establishment, against the underworld’s idlike forces—only to discover in the disillusioning climax that these polar opposites have always been in bed together. Karydes’ take on that critical approach in this debut book, complete with lengthy quotes from psychiatrists and occasionally rote diagnostics—“the Electra complex…is axiomatic in the development of girls”—is sometimes a bit too heavy-handed in its psychoanalytic orthodoxy. Her hero is Macdonald for his long bouts of analysis, his confessional memoir, which she rediscovered and cites extensively, and his self-conscious deployment of Oedipal conflicts throughout his books (“Fathers in Macdonald’s best novels fail to protect their sons by leaving them to mothers who then treat their sons like husbands”). Still, Karydes discusses this gnarly material in a vivid, accessible style that yields cleareyed and sympathetic insights into these authors’ lives and captures the seething psychological power in their works.
A shrewd, illuminating, and entertaining exploration of the twisted roots of writerly creativity.Pub Date: March 1, 2016
ISBN: 978-0-9909380-6-4
Page Count: 226
Publisher: Secant Publishing
Review Posted Online: May 12, 2016
Kirkus Reviews Issue: July 1, 2016
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
