Bright, engaging, dexterous literary entertainment for everyone, though with many special treats and pleasures for Janeites.


The estimable Fowler (Sister Noon, 2001, etc.) offers a real delight as she follows the lives of six members of a book club.

Not a moment passes without its interest as we meet Jocelyn (who raises Rhodesian Ridgebacks); her best friend since girlhood, Sylvia (née Sanchez); Sylvia’s daughter Allegra, an artist who’s now 30 and a lesbian; high-school French teacher, Prudie, 28 and flighty; the talkative Bernadette, turning 67 and the oldest; and the only man, Grigg Harris, unmarried, in his 40s, new to the neighborhood—and a science-fiction buff who’s never read Jane Austen. Month by month, the group meets at one house or another to discuss the agreed-upon book, and all the while Fowler keeps things moving with a fine and inventive dexterity, lingering in the present at one moment, dipping way back into the adolescent years of Jocelyn and Sylvia at another (Sylvia marries Jocelyn’s boyfriend; Jocelyn remains single), sometimes touching on the life of Austen herself, then popping back to escort us through Grigg’s plain but fascinating history (he had three sisters, no brother), or to let us in on what makes Prudie flighty, how many husbands Bernadette had, or what happened when Allegra jumped from an airplane. Much of the charm lies in the book discussions themselves—never dry, ever revealing, always on the psychological mark—and much indeed also lies in the many perfect Austen-esque moments, situations, misunderstandings, recognitions, and reversals that make up the web and woof of the novel. We learn early that after 30 years of perfect marriage Sylvia’s husband has left her. That event, in one way or another, will touch on everyone, and before the end there’ll be a positively lovely re-sorting of relationships, places, and positions, all done in today’s most perfect emulation of Jane that you could ever imagine.

Bright, engaging, dexterous literary entertainment for everyone, though with many special treats and pleasures for Janeites.

Pub Date: May 1, 2004

ISBN: 0-399-15161-3

Page Count: 304

Publisher: Marian Wood/Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2004

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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