NO COMMON GROUND

A chronicle of the effort to erect and protect or remove Confederate statues or other monuments.

Cox, a historian of the American South, estimates that several hundred monuments to the Confederacy exist in cemeteries, town squares, and other public spaces, and many have faced political and legal challenges in recent years. In this engrossing social history, the author writes that while these memorials began with an impulse to remember the dead, the United Daughters of the Confederacy soon began using them to promote the so-called “Lost Cause” view that in the Civil War, the South fought not for slavery but for states’ rights. Cox follows changes that have occurred since Reconstruction in the stances of friends and foes of the monuments, including Black activists whose opposition grew during the civil rights era and gained further momentum during recent protests centered on Confederate battle flags or statues of Robert E. Lee in cities such as Charleston, New Orleans, Charlottesville, and Richmond. The author argues that such monuments and symbols, like flags, are not harmless throwbacks: “They are weapons in the larger arsenal of white supremacy, artifacts of Jim Crow not unlike the ‘whites only’ signs that declared black southerners to be second-class citizens.” For such reasons, Cox makes an implicit case for removing monuments from publicly funded spaces without reconciling that position with her view that monuments are “essentially, a local problem” and decisions about them should be made by “a cross-section of community stakeholders.” She suggests no compromises that might work if residents of a community disagree on removal—there may be “no common ground” among people for whom monuments represent “competing visions of history.” Nonetheless, this clear and thorough account, essential for Southern libraries, is likely to become a standard reference work on its subject.

A well-documented history of Confederate monuments and the conflicting views they inspire.