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Relentless

Practically overflowing with supernatural beasts, this diverting story is more action tale than teen romance.

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A teenager with healing powers becomes the target of a particularly nasty—and deadly— vampire in this debut supernatural thriller, the first in a series.

Seventeen-year-old Sara Grey isn’t a typical New Hastings, Maine, high schooler. Her good friend, Remy, for one, is a troll. Unlike most people, Sara believes in the supernatural world, encountering beings collectively known as the People, from imps to goblins. The teen herself is special, too: she’s a healer, often aiding sick and dying creatures. She doesn’t know where she got her ability, nor its dark counterpart, what she calls the beast, a violent stirring in her mind that she constantly fights to keep from surfacing. Tormented by her father’s savage death at the fangs of vampires, Sara peruses message boards for bloodsucking activity, wanting to know whether the murder was more than random. She agrees to meet an online friend’s source, NightWatcher, at a club, where she instead has a run-in with vampire Eli. She gets help from Nikolas, a member of a warrior race called the Mohiri that hunts anything threatening humans. Nikolas also has answers, aware of at least part of Sara’s origins. Nikolas and Sara’s pals Roland and Peter try to prevent an obsessed Eli from finding the girl, but she may need to protect herself by unchaining the beast. The author packs an abundance of mythical creatures and twists into her fast-paced tale. Sara ultimately confronts werewolves, witches, and hyena-like crocottas; some are evil and others are surprising allies. It’s a wonderful assortment of beasts, even if readers already know most of them. Sara learns what she is before the story ends, revelations involving her estranged mother and a startling connection to both Mohiri and vampires. Lynch wisely mutes the romance, merely hinting at something between Sara and Nikolas, while the monstrous vampires are anything but amorous. The teen can be too contrary, more invested in a powwow with NightWatcher than her own safety. But she’s undoubtedly worthy, summed up best when she replies to a question of why she heals the People: “Why wouldn’t I heal them?”

Practically overflowing with supernatural beasts, this diverting story is more action tale than teen romance.

Pub Date: Jan. 3, 2014

ISBN: 978-0-615-94242-1

Page Count: 288

Publisher: CreateSpace

Review Posted Online: March 28, 2016

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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