Although the language and plot sometimes border on cliché, this fast-paced blend of Gossip Girl, Pretty Little Liars, and...

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ONE OF US IS LYING

From the One of Us is Lying series , Vol. 1

Detention takes a dark turn when the student behind Bayview High’s infamous app About That dies from a peanut allergy—and every witness has a different reason for wanting him gone.

Although McManus’ debut initially feels like a rehashing of The Breakfast Club, with five teens from disparate social circles brought together through detention, there is no bonding through library dance parties or atypical lipstick application. Instead, Bronwyn, Nate, Cooper, and Addy witness Simon collapse and ultimately die after taking a sip of water. When police discover the drink was laced with peanut oil—and that Simon was going to reveal life-ruining secrets about all four students on his gossip app the next day—they go from unfortunate witnesses to top murder suspects. With each teen (“brain,” “criminal,” “jock,” and “princess,” respectively; “walking teen-movie stereotypes,” as Simon says) narrating alternating chapters, the novel offers insights into common adolescent struggles—from the pressure to succeed to an alcoholic, out-of-work father—as well as an unlikely romance and opportunities for self-reflection as the investigation escalates. Although their suburban San Diego high school is a multicultural place, with the exception of Latina Bronwyn, the principal cast is white.

Although the language and plot sometimes border on cliché, this fast-paced blend of Gossip Girl, Pretty Little Liars, and classic John Hughes will leave readers racing to the finish as they try to unravel the mystery on their own . (Thriller. 14-18)

Pub Date: May 30, 2017

ISBN: 978-1-5247-1468-0

Page Count: 368

Publisher: Delacorte

Review Posted Online: Feb. 14, 2017

Kirkus Reviews Issue: March 1, 2017

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An emotionally engaging closer that fumbles in its final moments.

ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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Many teen novels touch on similar themes, but few do it so memorably.

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ALL THE BRIGHT PLACES

Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.

Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.

Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-75588-7

Page Count: 400

Publisher: Knopf

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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