An entertaining and appealing pirate story.
With her brother and a black cat, a young slave escapes her plantation for a seafaring life in this fictional diary.
In this fourth installment of a series, Jackleen—called Jack because of her tomboyishness—begins keeping a diary in June 1718. She lives in the slave quarters on the “Rose Hall Tobacky Plantation” near Bath Town, North Carolina, with her older brother, Samson, and a raggedy, fat black cat called Missus Fluffers. Jack’s parents, Minnie and Sam, were sold long ago. When the children’s grandmother Crazy Ole Gert dies, Jack decides to escape the plantation with Samson (who helps disguise her as a boy for greater safety) and Fluffers, kept snug in a basket. Dodging what seem to be slave catchers, the three wind up aboard Blackbeard’s ship. The famous pirate assigns Jack, Samson, and Fluffers to work as, respectively, cook, cleaner/log boy, and mouse catcher for Capt. Stede Bonnet. But the two men become enemies when Bonnet goes to Bath to sign the king’s pardon. Blackbeard leaves the captain his ship but maroons the crew and sails away. Bent on revenge, Bonnet regains his crew and heads out to sea. As he navigates the Caribbean, Jack and Samson have adventures and meet new people, including historical characters such as Anne Bonny, the female pirate. A happy surprise awaits Jack and Samson before they and their friends settle in St. Croix. McWilliams (Diary of a Black Seminole Girl, Ebony Noel, 2016, etc.) provides additional historical background in a final section. The voice and tone of this enjoyable novel “for ages 8 to adult” are identical to those in the author’s very similar Diary of a Slave Girl, Ruby Jo (2015): bright, happy, and dramatic, emphasized by capitalized words, exclamation points, and colorful language. Although the tragedy of slavery underlies this story—Gert went insane when Minnie and Sam were sold down the river, for example—Jack retains her joie de vivre. And the engaging characters are never in real jeopardy. (Cat lovers will be glad to know that includes Fluffers.) While well-researched, the tale offers a few anachronisms (“cut a rug”) and perhaps minimizes the likely hardships faced by young runaway slaves.
An entertaining and appealing pirate story.Pub Date: Nov. 30, 2015
ISBN: N/A
Page Count: 201
Publisher: Time Tunnel Media
Review Posted Online: Dec. 5, 2018
Review Program: Kirkus Indie
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
