ALL SAINTS

An ambitious first novel that's strongly reminiscent of Robert Stone's 1967 debut, A Hall of Mirrors. Set in 1950 in New Orleans, laboriously interweaving the destinies of its three desperate protagonists, it's a shrill story overburdened by melodramatic contrivances and wheezing with ``significance''—and it's also an exciting display of a formidable fictional imagination at work. When Cajun Harlan Desonnier is released from prison after serving eight years for accidentally killing his wife Janine, he looks for Father Francis Doyle, the priest who had visited and consoled him—rather than seek his old friend Louis Chopin, who, Harlan is convinced, had fathered the daughter Janine bore him. But Father Frank, who has lost his faith for reasons the narrative only hints at, is undergoing his own crisis—searching for a missing black man whom he had rescued from a savage street beating and is intent on ``saving.'' Glory Wiltz, a nurse Harlan meets when a fight with his brother sends him to the hospital, is herself at crisis point, trying to regain custody of her young son from her estranged husband, a black jazz musician. Palmer brings these three together more or less credibly and sends them on a multi-motivated quest that climaxes on Halloween; then she allows each, All Saints' Day, a measure of closure, if not redemption. Though the author writes crisp, tangy sentences and expertly renders the details of Cajun home life, her characters' agonies are simply too portentous to ring fully true. Glory's alienation from both her own white liberal upbringing and her husband's milieu is insufficiently developed, and Father Doyle is a cardboard, Graham Greenederived clichÇ. But Palmer succeeds brilliantly with Harlan Desonnier, especially in the moment when his violence and pain seep away, when he intuits saving ``presence, something that lived just beneath the surface of things.'' A bold try, and a genuine promise of much stronger work to come.

Pub Date: Dec. 1, 1997

ISBN: 1-56947-105-3

Page Count: 272

Publisher: Soho

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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