An exquisite tracing of the tangled lines of mother-daughter love, loss, and grief.


Sixteen-year-old Maddy Wakefield is dying of cancer, and in her last months, she has decided to find her biological father.

Maddy’s mother, Eve, raised Maddy on her own with the support of her parents and, eventually, Robin, a loving partner and father figure for Maddy. She always told Maddy that her father, Antonio, didn't want children. (At least he didn't want them with Eve.) Yet as Maddy endures the ever harder struggle with leukemia, she decides it’s time to contact him, and they quickly begin an email correspondence that Maddy decides to keep secret from Eve. While Maddy connects with her father, she also discovers first love with a boy named Jack Bell as they collaborate on a video project to raise awareness about climate change. The project inspires Maddy to turn her talents on herself, recording in her sketches the lines of her own mourning process, through increasingly emotionally raw self-portraits. After Maddy’s death, Eve discovers her correspondence with Antonio, but it is Maddy’s personal final edit of the animation project that triggers Eve’s quest to find Antonio herself. In this, her debut novel, Raney intimately portrays the complex relationship between Maddy and Eve, illuminating their secret struggles with cancer and each other. With chapters alternating between Maddy's and Eve’s perspectives, it reads, at times, like two rather different books stitched together: Maddy’s chapters put us squarely in her world—full of teenage angst, emotions not yet dulled by experience, and a focused drive for answers. In contrast, Eve’s chapters trace a more mature, grief-stricken journey. And as Eve seeks answers from Antonio (or perhaps she seeks a face that will mirror Maddy’s one last time), she may recklessly risk the life she has built with Robin.

An exquisite tracing of the tangled lines of mother-daughter love, loss, and grief.

Pub Date: Aug. 6, 2019

ISBN: 978-1-9821-0869-4

Page Count: 352

Publisher: Scribner

Review Posted Online: June 17, 2019

Kirkus Reviews Issue: July 1, 2019

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.


Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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