50% OFF

``Becoming involved in a relationship is a lot like being lured into a Hare Krishna cult''—so begins this long narrative necklace of good-natured one-liners posing as a novel of twentysomething love. Sasha Schwartz is a wisecracking young N.Y.C. ad-agency ``creative director'' in charge of writing toothpaste and paper- towel commercials. She spends her free time (i.e., most of the time her boss isn't watching her) talking on the phone with girlfriends Viv and Frannie and writing jingles about her ex-boyfriend, Bryce, who has recently left her—she suspects for a man named Glen, whose letters she's found in the apartment she and Bryce shared. (``Girl meets boy/Then boy meets boy/That's the story line these days/Oh, it's no joy/To love a gay,'' goes a typical ditty.) That's the plot; and the only event in the next 250 pages that could possibly be seen as an advancement of that plot is when Sasha runs into Bryce in a bar and is introduced to Glen, who is blond-haired, miniskirted, voluptuous, and very much a female. (Oh, well—so much Sasha's previous obsessional worries about AIDS.) Otherwise, the book is a jumble of Bob Dylan quotes mixed in with bathetic reminiscences of Sasha's childhood, Viv's phone harangues, rejected ad copy, rash jokes, secondary characters' glowing assessments of Sasha's talents, character, and looks, one whole chapter devoted to numbers (``461, 462, 463...'') representing Sasha counting sheep as she tries to forget Bryce and sleep—and three or four authentically funny moments, all of which take place in the presence of Sasha's personable fellow ad-agency worker Jerry, known as ``Jerriatrics.'' A pinch of promise in a sophomoric brew—and hardly the work of the ``Nora Ephron of the MTV generation,'' as the publisher's promo copy claims.

Pub Date: July 26, 1993

ISBN: 0-312-09465-5

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1993

Did you like this book?

No Comments Yet

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

Did you like this book?

No Comments Yet

THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

Did you like this book?

more