by Karen Schaufeld , illustrated by Kurt Schwarz ‧ RELEASE DATE: April 22, 2019
A sweet but never cutesy story with delightful illustrations.
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A squirrel who loves peaches goes up against a gun-toting farmer in this book for early readers.
Farmer Fred has no family, but he does have “Tree,” which he protects behind a wall with a rifle. Tree’s fruit is enormously precious to him: “Tasting a peach just plucked off the branch was as close to eating heaven as you could get.” But no one, other than Fred or the judges at the county fair, has ever eaten them. Squirrel, too, adores peaches; indeed, they’re his passion. When Squirrel spots Tree, he becomes determined to get over the wall. Though other squirrels laugh at him, his hard work making a ladder pays off, and finally he tastes Tree’s fruit, which is “everything Squirrel had dreamed of and hoped for his whole life.” After Farmer Fred catches him, he realizes that the animal must appreciate peaches as much as he does, and he offers to share the fruit if Squirrel will help with guard duty. The two bond over their shared life’s work, but when Girl Squirrel parachutes over the wall next summer, Squirrel finds himself protecting her. Farmer Fred comes to a realization: “Eating peaches, together with Squirrel, made them even sweeter.” He takes down the wall and invites all the squirrels to share the delicious fruit. In this story about determination, following one’s passion, and the joy of sharing, Schaufeld (Larry and Bob, 2016, etc.) avoids obvious didacticism, instead focusing on the sweetness of peaches and companionship as well as the satisfaction of working for a goal. Fred finds real happiness in expanding his idea of family; both man and squirrel convincingly discover that passion shouldn’t become obsession. One quibble: The name “Girl Squirrel” assumes that male is the default. Returning collaborator Schwarz paints with pleasingly rich, saturated hues; the peaches look absolutely luscious, as they should. His realistic, varied illustrations capture expression and drama well, such as Girl Squirrel’s look of determination as she broaches Tree’s enclosure and Fred’s smile as he takes down the wall.
A sweet but never cutesy story with delightful illustrations.Pub Date: April 22, 2019
ISBN: 978-0-9972299-2-9
Page Count: 57
Publisher: Quidne Press
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 15, 2019
Review Program: Kirkus Indie
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by Karen Schaufeld , illustrated by Kurt Schwarz
BOOK REVIEW
by Karen Schaufeld illustrated by Kurt Schwarz
by Kate DiCamillo ‧ RELEASE DATE: March 1, 2001
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
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by Kate DiCamillo ; illustrated by Julie Morstad
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BOOK TO SCREEN
by Keith Baker & illustrated by Keith Baker ‧ RELEASE DATE: Aug. 1, 1999
Baker (Big Fat Hen, 1994, etc.) engages in more number play, posing ducklings in every combination of groups, e.g., “Splashing as they leap and dive/7 ducklings, 2 plus 5.” Using a great array of streaked and dappled papers, Baker creates a series of leafy collage scenes for the noisy, exuberant ducklings to fill, tucking in an occasional ladybug or other small creature for sharp-eyed pre-readers to spot. Children will regretfully wave goodbye as the ducks fly off in neat formation at the end of this brief, painless introduction to several basic math concepts. (Picture book. 4-6)
Pub Date: Aug. 1, 1999
ISBN: 0-15-292858-8
Page Count: 24
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
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