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THE MINISTER'S WIFE

This account provides an engrossing look at what it means to be a minister’s wife.

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A memoir chronicles the life of an Anglican minister’s spouse.

Stiller met her husband, Brent, in college in 1988. After Brent finished his master’s degree, he was ordained in the Anglican Church. The couple originally thought they might spend much of their adult lives working in Africa. But, as things turned out, they wound up living in various towns in Canada. The people in these towns had certain expectations about the wife of a minister. Some thought the author would be judgmental, know how to play the organ, or be upset if they didn’t pray properly before a meal. As Stiller explains, she was just as human as the next person. She was all thumbs with houseplants and felt pangs of envy about someone else’s spiritual life. In reality, friendships could be difficult. The Christmas season tended to be taxing. Words sometimes came out wrong. But while she experienced awkward situations, Stiller also found warmth and happiness. The author writes how, even with its challenges, church “helps us welcome each other, carry each other.” The book takes on a breezy, honest air as it moves between chapters with titles like “Community,” “Prayer,” and “Forgiveness.” There are remembered disagreements the author had with her husband and, perhaps most entertaining, strange things people said over the years. This is the case when a dinner guest asserted rather bluntly: “You have better stuff than we do.” Such recollections are not only funny, they also give readers a fine grasp of what Stiller’s life was actually like. Some episodes are not quite as telling. The author reflects fondly on swimming with a friend in Cold Lake, and, heartfelt though the memory is, it seems to just reiterate that friendships can be nice. Still, the good, the bad, and the beautiful are all finely blended here for a full picture.

This account provides an engrossing look at what it means to be a minister’s wife.

Pub Date: May 5, 2020

ISBN: 978-1-4964-4121-8

Page Count: 256

Publisher: Tyndale Momentum

Review Posted Online: April 23, 2020

ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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  • New York Times Bestseller

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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