An unforgettable memoir about a lesser-known legacy of domestic violence.

READ REVIEW

Karen Lost and Found

Wilson’s first-person account of living with a traumatic brain injury.

When she was a teenager, Wilson was flattered when an older, former high school sports star showed interest in her. Romance was her priority; she put off her education and got married when she became pregnant. Wilson quickly figured out that Randy wasn’t ready to settle down. His weekend drinking with his band mates spread to weekdays, and he began missing work because it interfered with his partying. Increased traffic to their home made her suspicious, and fatherhood changed nothing. When Randy caught her flushing his drug stash, he attacked her. Wilson escaped with their young daughter, Jessica, but the damage was done. She left with a brain injury and a second child in utero. While Wilson was extremely well-intentioned—she moved to a shelter for abused women, returned to nursing school, tried to nurture her children—she remained baffled by her forgetfulness and inability to keep a job. Her older daughter assumed the role of the parent of her sister and her own mother. While Wilson’s story is emotionally affecting, she elicits sympathy from the facts of the incidents themselves, not her telling, which is remarkably dispassionate. Due to the nature of her injuries, she required help writing the memoir. If she feels any bitterness toward her ex-husband, she hides it, revealing anger and frustration only at her own limitations and delays in seeking help. In addition to her own experiences, she shares resources to help others. Her stated mission is to educate, and her depiction of her frustrating quest for a quiet, pleasant life builds incredible sympathy for victims of both domestic violence and brain injury.

An unforgettable memoir about a lesser-known legacy of domestic violence.

Pub Date: June 16, 2015

ISBN: 978-1-48-002787-9

Page Count: 80

Publisher: CreateSpace

Review Posted Online: Nov. 12, 2015

Kirkus Reviews Issue: Dec. 15, 2015

Did you like this book?

No Comments Yet

A vivid sequel that strains credulity.

THE ESCAPE ARTIST

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 21, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

No Comments Yet

A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.

DAD'S MAYBE BOOK

Ruminations and reminiscences of an author—now in his 70s—about fatherhood, writing, and death.

O’Brien (July, July, 2002, etc.), who achieved considerable literary fame with both Going After Cacciato (1978) and The Things They Carried (1990), returns with an eclectic assembly of pieces that grow increasingly valedictory as the idea of mortality creeps in. (The title comes from the author’s uncertainty about his ability to assemble these pieces in a single volume.) He begins and ends with a letter: The initial one is to his first son (from 2003); the terminal one, to his two sons, both of whom are now teens (the present). Throughout the book, there are a number of recurring sections: “Home School” (lessons for his sons to accomplish), “The Magic Show” (about his long interest in magic), and “Pride” (about his feelings for his sons’ accomplishments). O’Brien also writes often about his own father. One literary figure emerges as almost a member of the family: Ernest Hemingway. The author loves Hemingway’s work (except when he doesn’t) and often gives his sons some of Papa’s most celebrated stories to read and think and write about. Near the end is a kind of stand-alone essay about Hemingway’s writings about war and death, which O’Brien realizes is Hemingway’s real subject. Other celebrated literary figures pop up in the text, including Elizabeth Bishop, Andrew Marvell, George Orwell, and Flannery O’Connor. Although O’Brien’s strong anti-war feelings are prominent throughout, his principal interest is fatherhood—specifically, at becoming a father later in his life and realizing that he will miss so much of his sons’ lives. He includes touching and amusing stories about his toddler sons, about the sadness he felt when his older son became a teen and began to distance himself, and about his anguish when his sons failed at something.

A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.

Pub Date: Oct. 14, 2019

ISBN: 978-0-618-03970-8

Page Count: 384

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

Did you like this book?

more