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ON MY BIKE

This is a book that young children will easily remember and recite after a reading or two.

A skunk upsets a fall bicycle ride through the country.

A mother, a young child, both wearing their helmets, and a dog leave a father and baby and start off on a bike ride. They start near the sea, go past a pond with ducks, stop by a farm, pick some apples, and then meet up with the skunk. They reverse their tracks and find the rest of the family. The simple rhyming text is enlivened with onomatopoeic sounds: “I hear my bike, clackety-clack, clackety-clack / and some ducks, quackety-quack, quackety-quack.” The genderless child looks a little young to be riding without training wheels, but the brown-skinned tot is having a good time. The child, the baby (just a round head sticking out from an orange front pack), and the mother are a slight tone darker than the father. The dad takes care of the infant while the mom goes on the short adventure with the older child, reflecting contemporary families. The humans, the bikes, and the dog are boldly outlined and flatly drawn, but the autumnal landscape (evidently Vancouver, the illustrator’s home) has contrasting textures. The olive greens and browns are subtle colors for this age group, but there are red and gold highlights as well as the bold outlines to keep eyes focused. Small size, short text, and common experiences make this a good choice for reading aloud at home or to a small group. Publishing simultaneously is On My Skis, which finds the same family enjoying the winter; the dad takes the child out for what appears to be a first downhill-skiing experience, while the mom and the baby (tucked in a sled) watch.

This is a book that young children will easily remember and recite after a reading or two. (Picture book. 3-5)

Pub Date: March 1, 2017

ISBN: 978-1-926890-13-5

Page Count: 24

Publisher: Orca

Review Posted Online: Jan. 31, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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ASIAGO

Goodhearted, if silly.

How can the little vampire enjoy the beach with his friends?

Asiago lives in a castle with his great-uncle Gouda. He likes to play his accordion and swing from a rope, and at night he turns into a bat. When his friend Wendy calls to invite him to the beach, he really isn't sure what a beach is. But he finds an old bathing suit (with cool purple stripes) and is ready to go. Asiago's fun is short-lived: He turns bright red in the sizzling sun, which even sets his ears to smoking. Wendy rescues him with her beach umbrella, but he can't really play, and he gets a splinter from the dock (almost as dangerous as a stake) and a stomach ache from the clams she gives him to eat (all he really likes is garlic). At home, Asiago can't help thinking about his not-so-great day at the beach. Wendy and his other friends save the day with a great idea; they surprise Asiago in his coffin and return with him to the beach... at night. McHeffey's clean colored-pencil illustrations add style and mirth to his simple tale of friendship. His characterization and plotting, however, leave something to be desired. Adults will wonder why these vampires are named for cheeses, and children will wonder how the nocturnal vampire managed to make human friends?

Goodhearted, if silly. (Picture book. 3-5)

Pub Date: April 1, 2012

ISBN: 978-0-7614-6138-8

Page Count: 32

Publisher: Marshall Cavendish

Review Posted Online: Feb. 14, 2012

Kirkus Reviews Issue: March 1, 2012

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BOBO'S SMILE

Unfortunately, the well-meaning message is delivered by a character whose lack of affect has no likely appeal for the...

A particularly poker-faced clown searches far and wide for happiness after the circus closes, only to find it after a most unexpected and unpleasant event.

On the cover Bobo’s smile is missing. Even though the endpapers offer myriad upturned mouths to choose from, recovering his smile will not come so easily. Yes, life was good when he could make people laugh, but that all vanishes when the circus is shuttered. Initially sad, the clown decides to take a trip around the world. Chwast’s flat, bright colors outlined in ink on muted pastel backgrounds illustrate his many adventures: in an airplane, on a roller coaster, astride an elephant and underwater. Each framed picture portrays a straight-faced Bobo experiencing it all. The first-person narration, delivered in an easy-to-read text, accompanies the retro graphic art. “Finally it was time to go home.” The following wordless spread reveals a bewildered Bobo crossing a city street teeming with vehicles. Somewhat shockingly the page turn shows a suspicious man all in brown robbing the colorful clown. This results in the buttons falling off of his clothes and hat. He then begins to juggle the buttons—still with an expressionless face. Soon his juggling draws a crowd. Then he smiles.

Unfortunately, the well-meaning message is delivered by a character whose lack of affect has no likely appeal for the intended preschool audience.   (Picture book. 3-5)

Pub Date: April 15, 2012

ISBN: 978-1-56846-221-9

Page Count: 32

Publisher: Creative Editions/Creative Company

Review Posted Online: Feb. 21, 2012

Kirkus Reviews Issue: March 15, 2012

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