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HE WHO FEARS THE WOLF

Less mystifying than Sejer’s English-language debut (Don’t Look Back, 2004), but memorably creepy in its portrayal of a...

Norway’s Chief Inspector Konrad Sejer hunts a bank robber who’s taken a murder suspect hostage.

Farm widow Halldis Horn has kept to herself ever since her husband died, and it’s unthinkable that anyone could have driven a hoe into her brain for the paltry sum in her wallet. But although Officer Robert Gurvin is slow to credit the testimony of troubled schoolboy Kannick Snelligen, Halldis really is lying dead across her front door; her wallet really is missing; and Errki Johrma, a psychotic Finn escaped from a nearby asylum, really was lurking in the farm’s bushes and left his fingerprints inside Halldis’s house. Sejer and his troops are going to have to wait to question him, though, because Errki’s walked into a bank at precisely the wrong time—just a minute or two before Sejer himself, acting on a hunch, stepped in and then out—and got grabbed by Morgan, a robber who thinks his hostage is a mute woman. As the cops scramble to run down the two fugitives, Morgan and Errki eye each other as if they were members of different species. But it’s only a matter of time before Morgan figures out who his captive really is—and before Kannick Snelligen stumbles on the volatile pair.

Less mystifying than Sejer’s English-language debut (Don’t Look Back, 2004), but memorably creepy in its portrayal of a violently mismatched pair of misfits.

Pub Date: July 6, 2005

ISBN: 0-15-101091-9

Page Count: 288

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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BELOVED

Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...

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Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.

Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.

Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."

Pub Date: Sept. 16, 1987

ISBN: 9781400033416

Page Count: 352

Publisher: Knopf

Review Posted Online: Sept. 29, 2011

Kirkus Reviews Issue: Aug. 15, 1987

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