THE PATRON SAINT OF UNMARRIED WOMEN

The first-person voice in this endearingly quirky first novel is so entertaining that it makes up for a lack of transformation on the part of the main characters. Two Washington, DC, residents—landscape architect Jack and artist Nina—break up after living together for several years and one year after chickening out of marriage. Nina leaves Jack for no apparent reason, unless `` `God was sending me a message' '' counts as one. Nina's Italian-American family attempts to intervene, especially her mother, Marie, who informs Jack that Nina has begun seeing an uptight Jewish lawyer who happens to play in Jack's basketball league. Jack's sister Ellen also gets into the act, fixing him up with a divorced SEC lawyer who is so well-adjusted that she seems almost automated. Narrator Jack tells of the pain of their split, making parallels between his beloved operas and his own plight, as well as of his adventures as a single guy, with a tongue-in-cheek slant that makes even the mundane interesting. ``Proper male bonding demands an activity—preferably one involving a ball—to shift the focus from the conversation. You break the news about your impending divorce to your best friend at a batting cage, discuss your father's rapidly failing memory with your brother at putt-putt.'' Washington and its environs are also well drawn. A building sits ``in the heart of new Bethesda, a sterile canyonland of white concrete and red brick that overlays a town I used to love....I miss the human scale of old Bethesda, the smelly dumpsters and shaggy willows and warrens of alleys and ten-car parking lots.'' Ackerman takes some easy but amusing shots at therapy: Nina's new love interest has scheduled screaming sessions with his mother, and Jack's latest lover discusses all sexual details with a therapist. While the book works as a close examination of '90s social angst, Jack and Nina's breakup never seems genuine—especially for such basically earthy characters. A tour of one man's life, with little action but first-rate scenery and commentary.