by Karl Beckson ‧ RELEASE DATE: Feb. 15, 1993
Centering on literary London and on events and ideas relevant mostly to writers, this history is too narrowly conceived to be, as the subtitle says, ``cultural.'' But as a literary historian, Beckson (English/Brooklyn College) excels in colorful and detailed narration. Beckson focuses on the major events of the fin de siäcle, starting with the many societies for reforming literature, politics, and society, and ending with a chapter on the decline of imperialism as expressed in the adventure novels of Rider Haggard, Robert Louis Stevenson, Rudyard Kipling, Joseph Conrad, and the ``invasion'' literature of which H.G. Wells's War of the Worlds is an example. He traces the origin of the idea of decadence to the French, and discusses its dissemination in England by the Pre- Raphaelites and the reaction against it during the 1890's—when it supposedly reached its peak. Beckson devotes chapters to the New Woman; prostitutes in the music halls; the quest for a poet laureate; the new drama of Shaw and Ibsen; the Rhymer's Club (made up of great men and minor poets); the trials of Oscar Wilde and Captain Dreyfus; the founding of little magazines as a protest against commercial publishing; and the significance of Whistler, Wagner, occultism, and the Uranians, a kind of elitist homosexual subculture. By enlarging the literary context, Beckson undermines if not disproves many of the clichÇs associated with the last decade of the 19th century, the artificial syntheses other literary historians created out of the chaos of an expanding and diversifying society. But like other men of letters, he leaves out of what he calls a ``cultural'' history that vast range of human beings to whom the literary life is irrelevant. (Photographs—not seen.)
Pub Date: Feb. 15, 1993
ISBN: 0-393-03397-X
Page Count: 384
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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