A remarkable historical detective story that unearths the life and times of a “trickster” African-American who was able to “pass,” and strive spectacularly, as Latino.
During a time of deep racial anxiety in the United States—just after the Civil War and through the 1920s—the “color bar” was deeply pronounced and enforced in all aspects of society, from travel to public establishments to housing to marriage. Jacoby (History/Columbia Univ.; Shadows at Dawn: An Apache Massacre and the Violence of History, 2008, etc.) delves minutely into this unsettling history of racial relations through the life of nimble businessman William Henry Ellis, aka Guillermo Enrique Eliseo—born in 1864 to biracial slaves in Victoria, Texas—whose olive skin and facility with Spanish allowed him to move freely between the porous U.S.–Mexico border and reinvent himself in an extraordinary manner. Ellis’ ability to pass as Mexican or Cuban (or even Hawaiian) while on business above and below the border is only one facet of this fascinating story. He rode in first-class cars, stayed at length in the British-owned Hotel Gillow in Mexico City, built a trading firm on Wall Street, and married a white woman. Ellis was surely a kind of confidence man, but he was also a crusader for his race and became embroiled in Republican politics in the 1880s, cooking up a scheme to recolonize African-American tenant farmers from the cotton-picking South to a huge tract of land in northern Mexico during a time of profound labor shortages in Mexico, where racial relations were far less fraught than in America. Jacoby imparts important, unknown aspects of Mexican-American history and does a stellar feat of research in weaving together this fragmented life as just one incredible example of the American experience in all its complexity and ingenuity.
An amazing tale that is indeed “almost too strange to be true.”Pub Date: June 14, 2016
ISBN: 978-0-393-23925-6
Page Count: 336
Publisher: Norton
Review Posted Online: March 30, 2016
Kirkus Reviews Issue: April 15, 2016
Categories: GENERAL HISTORY | UNITED STATES | AFRICAN AMERICAN | HISTORY | CURRENT EVENTS & SOCIAL ISSUES | ETHNICITY & RACE
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PROFILES
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 6, 2015
Kirkus Reviews Issue: July 1, 2015
Categories: BIOGRAPHY & MEMOIR | UNITED STATES | HISTORY | CURRENT EVENTS & SOCIAL ISSUES | ETHNICITY & RACE
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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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