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Speaking in Tungs

An often intriguing story, despite a few too many plot elements, that shows the disparate ways that speech therapy can help...

In Jay’s debut novel, a speech therapist moves to the small town of Tungston, Pennsylvania—locally known as “Tungs”—and finds colorful characters and a little mystery.

At 24, Marleigh Benning’s life is in upheaval: after the sudden death of her mother and father, she discovers they weren’t actually her biological parents. It turns out that she was adopted at the age of 2, and all she knows now are her biological parents’ names and her own original birthplace: Tungs. Impulsively, she pulls up stakes in California and moves to the tiny town, pursuing her ongoing dream of helping people with speech problems. Her patients are a motley crew, such as raspy-voiced Ivory, who won’t stop gossiping long enough to let her vocal cords rest; Luella, who lives with her sister, Margritte, in a trailer full of chickens, trying to avoid another bout of aspiration pneumonia; and Melvin, whose ability to speak was twisted by a stroke and who now can only curse. Another patient, Casey, is a little boy who’d rather act like a dog and babble nonsense than speak to his frustrated mother, who isn’t thrilled by Marleigh’s fix-it attitude. There’s also Beryl Holmes, a cantankerous veteran who refuses to work with Marleigh when she accidentally lets his beloved (and deaf) dog loose. As if all this wasn’t enough, police are seeking a fugitive in the area, there have also been wolf sightings of late, and Marleigh is falling for hunky local fireman Lawyer Hunt—or possibly local doctor Parker York. Marleigh’s patients come across as three-dimensional people, and the details of her speech therapy work are fascinating, aided as they are by Jay’s real-life years in the field. Other aspects of the novel, however, are a little lackluster. Both the romance and the mystery seem unnecessary, for example. It also doesn’t seem plausible that Marleigh wouldn’t immediately start searching for information about her birth parents—particularly when it’s the primary reason for her move.

An often intriguing story, despite a few too many plot elements, that shows the disparate ways that speech therapy can help people regain their voices.

Pub Date: May 14, 2015

ISBN: 978-0-9961950-6-5

Page Count: 378

Publisher: Hedgehog & Fox

Review Posted Online: Oct. 13, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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