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THE SKY IS ALWAYS IN THE SKY

paper 0-06-027084-5 This compilation includes previously published verse from Kuskin’s Soap Soup (1992), Near the Window Tree (1975), and Something Sleeping in the Hall (o.p.). Dervaux’s robust illustrations and a variety of typefaces—e.g., in “If I Were a . . . ,” the text shows both the curve of a bird’s nest and the wavy lines through which a fish might swim—combine for a breezy collection, whose common theme might be demise. Jays get eaten, a hat is sat upon, a hog pigs out until he dies, and “Rabbits/don’t like rabbit stew./I don’t blame them much,/do you?”—but even potentially morbid ideas are reduced to a chuckle by the figures who cavort through the colorful pages. (Picture book/poetry. 3-7)

Pub Date: May 31, 1998

ISBN: 0-06-027083-7

Page Count: 48

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1998

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I CAN BE ANYTHING!

A young boy wonders aloud to a rabbit friend what he will be when he grows up and imagines some outrageous choices. “Puddle stomper,” “bubble gum popper,” “mixing-bowl licker,” “baby-sis soother” are just some of the 24 inspiringly creative vocations Spinelli’s young dreamer envisions in this pithy rhymed account. Aided by Liao’s cleverly integrated full-bleed mixed-media illustrations, which radiate every hue of the rainbow, and dynamic typesetting with words that swoop and dive, the author’s perspective on this adult-inspired question yields some refreshingly child-oriented answers. Given such an irresistible array of options—“So many jobs! / They’re all such fun”—the boy in the end decides, in an exuberant double gatefold, “I’m going to choose… / EVERY ONE!”—a conclusion befitting a generation expected to have more than six careers each. Without parents or peers around to corral this carefree child’s dreams, the possibilities of being whatever one wants appear both limitless and attainable. An inspired take on a timeless question. (Picture book. 3-6)

Pub Date: March 1, 2010

ISBN: 978-0-316-16226-5

Page Count: 32

Publisher: Little, Brown

Review Posted Online: April 14, 2011

Kirkus Reviews Issue: Jan. 1, 2010

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THE NONSENSE SHOW

A picture book made to incite pleasure and joy.

The celebrated picture-book artist enthusiastically joins the nonsense tradition. 

Carle’s nearly 50-year career has produced myriad concept books about counting, the alphabet, and colors, as well as simple, original stories, retellings of fairy tales, and picture books that push the physical boundaries of the form. This latest proves that Carle can reinvent himself as a creator in the field, as he now revels in the absurd, eschewing any pretense of teaching a concept or even engaging with story. Instead, spread after spread uses nonsensical text and sublimely ridiculous pictures to provoke laughter and head-shaking delight. In addition to the book’s title, art immediately cues the book’s silly tone: the cover displays one of Carle’s signature collages against an empty white background; it depicts a duckling emerging from a peeled-back banana peel. The title-page art presents a deer sprouting flowers rather than antlers from its head. When the book proper begins, and language joins illustration, readers are ushered into a series of situations and scenarios that upend expectations and play with conventions. “Ouch! Who’s that in my pouch?” asks a kangaroo with a little blond child instead of a joey in her pouch. Another scene shows two snakes, joined at the middle and looking for their respective tails.

A picture book made to incite pleasure and joy. (Picture book. 3-7)

Pub Date: Oct. 13, 2015

ISBN: 978-0-399-17687-6

Page Count: 40

Publisher: Philomel

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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