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I’VE GOT A HOME IN GLORY LAND

A LOST TALE OF THE UNDERGROUND RAILROAD

A most worthy addition to the literature surrounding American slavery, complementing Mary Kay Ricks’s Escape on the Pearl...

An excellent and absorbing “American and Canadian story” of an inaugural passage aboard the Underground Railroad.

Canadian archaeologist Frost has spent months and traveled thousands of miles along back roads to trace the lives of runaway slaves, a search that she affectingly describes in the early pages of her book, helped along by the descendants of slaves and slaveholders alike, guarded by a “chivalrous hitchhiker” as she combed through a forgotten graveyard beside a freeway off ramp, threatened by devotees of the Old South. The fruits of that hard work are evident in this book, which reconstructs the lives and circumstances of a light-skinned young man named Thornton Blackburn and his wife, Lucie, who, the day before Independence Day 1833, presented forged documents allowing them passage from slaveholding Kentucky into free Indiana and steamed away on a paddle-wheeler from Louisville, never to return. They eventually made their way to Toronto, where the ambitious and intelligent couple became middle-class householders, he a cab driver, she a moneylender. Theirs was a daring escape, to be sure, but Frost puts it in a larger context of resistance in many ways; by her account, slave resistance to the point of insurrection and guerrilla warfare was common, so much so that “wise slaveholders turned a blind eye to minor infractions” in order to quiet discontent. Having wrested some freedom of movement, slaves in cities along the Ohio River came into contact with free blacks, some of whom formed part of the network of abolitionists who served the underground movement to help runaway slaves reach freedom. Frost is adamant, however, that the heroes here are Thornton and Lucie, whose deed was forgotten but who “changed the very world in which they lived.”

A most worthy addition to the literature surrounding American slavery, complementing Mary Kay Ricks’s Escape on the Pearl and Mat Johnson’s The Great Negro Plot, both to be published in February 2007.

Pub Date: Feb. 6, 2007

ISBN: 0-374-16481-9

Page Count: 576

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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