A tale of love and intrigue with a clever narrative structure and pleasant Caribbean setting but hampered by editing and...
In Rae’s debut romance/suspense novel, a grieving widow and a successful musician find love and mystery in St. Croix.
In Kansas City, Missouri, Andrea “Annie” Whitman receives the devastating news that her beloved husband, Jack, has been killed in a car accident. She first seeks solace with her husband’s family before drowning her sorrows in alcohol. Her grief turns to suspicion, however, when a series of curious incidents causes her to question the circumstances surrounding her husband’s death. She receives a set of keys at the reading of Jack’s will that leads her to a box hidden in a crawl space; in it, she discovers a passport with her photo and a false name and a set of photos taken in St. Croix. Determined to discover the truth behind her husband’s death, she travels to the Caribbean island, where she meets Kessler Carlisle, a country-music superstar enjoying an early retirement in the tropical paradise. Although romance is the last thing on his mind, he connects with Annie immediately and passionately. As their attraction deepens, they also uncover Jack’s web of deception, which places the lovers in grave danger. Rae’s novel includes some solid stylistic flourishes. Its most successful element is its structure: most chapters are told from either Annie’s or Kessler’s first-person point of view, with many of the same events shown through both their perspectives. This technique effectively develops the characters as they let down their guards and take their first steps toward romance. Rae also uses the island setting well when crafting her action sequences. However, the book’s editing is spotty; for example, Kessler says he lives in a “1900s Tutor” instead of a Tudor. Also, even though the dialogue seems intended to be a bit rough-hewn, its pervasive profanity (“Looking back, I was the fool: the clichéd Monet—lovely from afar, straight fucking mess up close”) may alienate some readers.
A tale of love and intrigue with a clever narrative structure and pleasant Caribbean setting but hampered by editing and dialogue issues.Pub Date: March 21, 2014
ISBN: 978-0996092258
Page Count: 234
Publisher: CreateSpace
Review Posted Online: March 13, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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