A gripping tale with a distinctive couple.


Married life for an American woman and a Saudi prince is shaken by the resurgence of dubious individuals from their respective pasts in Canfield’s (Only Love Twice, 2013) thriller.

Newlyweds Saleem and Madison Kelly Al Abdullah have settled in Knoxville, Tennessee. Several months into their marriage, Saleem hears Sonja Popuolov is looking for him. She’s the 20-something daughter of Sophia, with whom Saleem had an affair years ago. Though he’s always questioned Sophia’s claim that Sonja is his daughter, Saleem has been financially supporting Sonja. To finally verify or debunk their blood relation, Saleem and Sonja agree to meet in Florida, where the Al Abdullahs are planning to buy a winter home. It’s also where Madison worked as a cop before hanging up her badge. Those skills prove essential at Miami International Airport, where Madison spots a car following them. Sure enough, someone has been tracking Sonja since she looked into DNA testing with Saleem. Madison gets help from old police contacts and soon learns the Russian Mafia may be targeting Sonja. But the surprise involvement of an abusive person from Madison’s past may put her in danger as well. Though the novel’s first half is unhurried, a later kidnapping amplifies the suspense. Canfield establishes her protagonists well; their meet-cute formed the plot of her preceding tale. Romantic interludes between the two are convincing and solidify the tension once the initially faceless menace enters the story. Eventual perspective from said villains adds excitement, especially when it seems two independent baddies have identical agendas. Extensive backstory adequately, and sometimes repetitively, explains all that’s unfolding in the present day. For example, Saleem recites details of yesteryear with Sophia on multiple occasions. Some recurrence, however, proves beneficial, like the running gag of Saleem and Madison’s attempts at intimacy, which others repeatedly interrupt.

A gripping tale with a distinctive couple.

Pub Date: Sept. 25, 2014

ISBN: 978-1-63135-481-6

Page Count: 210

Publisher: Strategic Book Publishing & Rights Agency, LLC

Review Posted Online: Oct. 6, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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