Instead of breaking bones, this warrior princess breaks the mold—and Beaton is in a class of her own.

THE PRINCESS AND THE PONY

A half-pint warrior princess wants a battle-ready horse for her birthday but instead receives a little farting pony—who brilliantly defies all expectation.

Pinecone is small and young, and normally she receives cozy sweaters for presents, but she has a warrior’s determination. With this, she attempts to train her sweet, round pony—but to no avail. They are clearly outmatched at the big battle, yet Pinecone shows her mettle, and under the pony’s innocent gaze, hardened warriors melt into sweater-wearing softies. The artist’s digital illustrations, done in an earthy palette, have a warm, handcrafted feel. As majestic horses, iconic warriors (from Genghis Khan to Robin Hood), and cool tools are juxtaposed with Pinecone and her vacant-eyed pony, differences in stature, weaponry, and achievement are cleverly emphasized. Cinematic in layout and perfectly set-dressed, each page will elicit a new round of giggles. Beaton blurs the boundaries of traditional storytelling, marrying fantasy elements to pop culture with a free-associative swagger. This emerging genre, with its zinelike irreverence and joyful comedy, is hip, modern, and absolutely refreshing. Where else can readers find hipster warriors, anime influences, perfectly placed fart jokes, a hidden ugly-sweater contest, and a skirmish packed with delightful nonsense (llamas! knights! hot dogs! turtle costumes!)—and have it all make such wonderful sense?

Instead of breaking bones, this warrior princess breaks the mold—and Beaton is in a class of her own. (Picture book. 3-8)

Pub Date: June 30, 2015

ISBN: 978-0-545-63708-4

Page Count: 40

Publisher: Levine/Scholastic

Review Posted Online: March 17, 2015

Kirkus Reviews Issue: April 1, 2015

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A pro-girl book with illustrations that far outshine the text. (Picture book. 3-7)

I AM ENOUGH

A feel-good book about self-acceptance.

Empire star Byers and Bobo offer a beautifully illustrated, rhyming picture book detailing what one brown-skinned little girl with an impressive Afro appreciates about herself. Relying on similes, the text establishes a pattern with the opening sentence, “Like the sun, I’m here to shine,” and follows it through most of the book. Some of them work well, while others fall flat: “Like the rain, I’m here to pour / and drip and fall until I’m full.” In some vignettes she’s by herself; and in others, pictured along with children of other races. While the book’s pro-diversity message comes through, the didactic and even prideful expressions of self-acceptance make the book exasperatingly preachy—a common pitfall for books by celebrity authors. In contrast, Bobo’s illustrations are visually stunning. After painting the children and the objects with which they interact, such as flowers, books, and a red wagon, in acrylic on board for a traditional look, she scanned the images into Adobe Photoshop and added the backgrounds digitally in chalk. This lends a whimsical feel to such details as a rainbow, a window, wind, and rain—all reminiscent of Harold and the Purple Crayon. Bobo creates an inclusive world of girls in which wearing glasses, using a wheelchair, wearing a head scarf, and having a big Afro are unconditionally accepted rather than markers for othering.

A pro-girl book with illustrations that far outshine the text. (Picture book. 3-7)

Pub Date: March 6, 2018

ISBN: 978-0-06-266712-0

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 3, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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