THE LONG FORM

A single mother and her baby daughter move through the course of one day in this debut novel, which cleverly incorporates the woman's past and present relationships and intellectual life.

Helen is trying to get her 6-week-old, Rose, to nap. She nearly succeeds, but a delivery wakes the baby up. It's a used edition of Henry Fielding's The History of Tom Jones, A Foundling that Helen ordered. Time expands and contracts, moves backward and into the minutiae of the present, as Helen and Rose’s day continues from here. In particular, Helen returns again and again to her close friendship with her ex-flatmate Rebba, considering how it has changed since Rose was born and Helen moved into her own apartment. She contemplates the act of caring for a child as described in Tom Jones and the nature of time as described by such thinkers as E.M. Forster, Gertrude Stein, and D.W. Winnicott. For Helen, any definition of time is utterly exploded by the fact of her newborn baby’s complete lack of a sense of schedule. As Helen’s thoughts unspool as she tries to get Rose to sleep in their apartment, while out for a walk, and then back in their apartment again, the reader is given direct insight into a parent’s sense of space and time during this often Sisyphean activity. While some readers may be put off by the interweaving of Helen’s experiences with mini-essays on the everyday terms and concepts of her intellectual and domestic life, there are imaginative interjections, such as when Helen places herself in a Forster lecture with her baby, that should appeal to Virginia Woolf fans.

This don't-miss debut captures the details of early parenthood while engaging with ideas about time and caregiving.