by Kate Cann ‧ RELEASE DATE: Nov. 1, 2012
The beautiful black-on-blue cut-paper–designed cover is perhaps the most attractive thing about it.
From a press that specializes in middle-grade–and-above–interest–level books written at a low reading level, a story both simple and simplistic about a teen finding herself.
Lily is tormented by the mean girls at school, but the principal chooses not to do anything, ascribing it to Lily’s sensitivity. Lily’s mom, with 10-year-old boy twins, wants to believe all is OK, but Lily is obsessed with hiding herself, particularly her breasts and belly, feeling that she is fat and unattractive. Coming home from school through the woods, she discovers a crow looking at her fiercely, and she begins to bring scraps to the crows that then come at her call. She stops eating sweets after school so she can get to the crows, who make her feel scared and powerful at once. Her grandmother teaches her to stand properly and buys her bras that fit, so subtly, Lily’s appearance is transformed. She attends a Halloween party dressed as a crow, effectively scaring some people and wowing some others, and gets back at the clique in a not-very-nice but satisfying way. Everything happens in lightly sketched outline, and it is all telling, not showing. Perhaps because it is all meant to be empowering and full of good advice, with a generous dash of crow magic, there is very little character development.
The beautiful black-on-blue cut-paper–designed cover is perhaps the most attractive thing about it. (Fiction. 10-18)Pub Date: Nov. 1, 2012
ISBN: 978-1-78112-122-1
Page Count: 80
Publisher: Stoke Books
Review Posted Online: Sept. 18, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by Lynn Painter ‧ RELEASE DATE: May 4, 2021
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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