Filled with love and kindness and glorious sweet-talk: “Yippee-i-oh.” (Fiction. 6-9)
Leroy Ninker dreams of being an honest-to-goodness cowboy as he watches Western movies while working at the concession stand at the drive-in theater.
He has some of the lingo down pat, and he knows he will need boots, a hat and a lasso. But his co-worker points out that he is missing the most important element of all: a horse. Providentially, there is a horse for sale. Though she is swaybacked and almost toothless, it is love at first sight when Leroy sees Maybelline. Leroy is given some unusual instructions; he must sweet-talk and compliment the horse, feed her plenty of grub and never leave her alone for more than a few moments. So there he is with a horse that won’t fit through his door, gobbles up potfuls of spaghetti and needs constant attention. Adventures and misadventures abound, and both horse and cowboy become lost in a scary storm. But with a little help from some old friends who have appeared in the author-illustrator team’s earlier works, it all comes together with the expected happy ending. DiCamillo’s quirky, eccentric characters speak in flowery sentiments and employ charming wordplay. Along with Van Dusen’s well-matched illustrations, there’s a sweet, retro innocence reminiscent of McCloskey’s classic Homer Price. Despite the old-fashioned accent, the absurdities will easily appeal to a modern audience.
Filled with love and kindness and glorious sweet-talk: “Yippee-i-oh.” (Fiction. 6-9)Pub Date: Aug. 26, 2014
ISBN: 978-0-7636-6339-1
Page Count: 96
Publisher: Candlewick
Review Posted Online: June 17, 2014
Kirkus Reviews Issue: July 15, 2014
A funny and timely primer for budding activists.
Problems are afoot at Emily Dickinson Elementary School, and it’s up to Bea Garcia to gather the troops and fight.
Bea Garcia and her best friend, Judith Einstein, sit every day under the 250-year-old oak tree in their schoolyard and imagine a face in its trunk. They name it “Emily” after their favorite American poet. Bea loves to draw both real and imagined pictures of their favorite place—the squirrels in the tree, the branches that reach for the sky, the view from the canopy even though she’s never climbed that high. Until the day a problem boy does climb that high, pelting the kids with acorns and then getting stuck. Bert causes such a scene that the school board declares Emily a nuisance and decides to chop it down. Bea and Einstein rally their friends with environmental facts, poetry, and artwork to try to convince the adults in their lives to change their minds. Bea must enlist Bert if she wants her plan to succeed. Can she use her imagination and Bert’s love of monsters to get him in line? In Bea’s fourth outing, Zemke gently encourages her protagonist to grow from an artist into an activist. Her energy and passion spill from both her narration and her frequent cartoons, which humorously extend the text. Spanish-speaking Bea’s Latinx, Einstein and Bert present white, and their classmates are diverse.
A funny and timely primer for budding activists. (Graphic/fiction hybrid. 6-9)Pub Date: May 14, 2019
ISBN: 978-0-7352-2941-9
Page Count: 160
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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