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MOMMY HURRIES HOME

There’s a great app to be done about the imaginative ways a parent dresses up a story about the day, but this one doesn’t...

A rambling story of a parent’s trip home.

Little Alex waits with his nanny every evening for his mother to come home from work; some days she’s home very late. One particularly late evening, Alex’s mother spins a story that begins with being trapped in her office, continues through a trip on a fire engine and a flight on a dragon and ends with a triumphant crane ride across the city. Though the story has an amusing premise, the execution is a mess. The giant expanses of text are either badly translated or poorly edited, with sentences that are clunky or simply sound off. (“Sorry, but we are pressed for time," the firefighters say. “The elephant enclosure is on fire. It’s no monkey business, you know!”) It’s clear attention to detail wasn’t a high priority in creating an app with three language options when a thumbnail image of a page contains the word “Zoo” but the actual page illustration is instead written in Russian. Worse, the illustrations feel crowded with extraneous objects that are livened up only by occasionally witty uses of animation. Mom’s story rambles and rambles, long past the point where any child would have lost patience.

There’s a great app to be done about the imaginative ways a parent dresses up a story about the day, but this one doesn’t arrive fully formed . (iPad storybook app. 4-8)

Pub Date: Jan. 16, 2014

ISBN: N/A

Page Count: -

Publisher: Glowberry Books

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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