This debut romance ticks all the boxes of a must-read, with plenty of bite giving it edge.
Opposites become enemies and then friends and finally lovers in this delightful, trope-filled contemporary romance debut.
Aspiring (and failing) comedian Arianna Sloane doesn't do commitment. In fact, she actively avoids it. She has a strict rule when it comes to her hookups to never stay the night. Josh Kestenberg is in love with love, a chef with grand professional ambitions who also dreams of settling down and serving his eventual soul mate breakfast in bed. Ari and Josh are like oil and water, and it's dislike at first sight. Underscoring their mutual hatred is the bombshell revelation that they're both sleeping with the same woman, who happens to be Ari's roommate. Talk about awkward. For years, Ari and Josh keep falling into each other's orbit, with each meeting more disastrous than the next, until they reunite when they're both at their lowest. Misery seems to make great company, and instead of bickering, they wind up bonding. Supportive texts turn into late-night phone calls and eventually graduate to cathartic movie marathons. The way their friendship blooms is slow and sweet and subtle, and it makes their inevitable romance happen almost seamlessly. The snarky banter between them eventually softens as Ari and Josh allow themselves to be vulnerable; it's rare to find such a perfect balance of funny and emotional scenes without either one overpowering the other. Goldbeck is clearly a writer to watch, creating and building characters that feel like people you've known and loved rather than caricatures dropped into a scene for the sake of a punchline or plot beat. Ari and Josh are thoughtfully written, layered with histories and memories that have molded their contemporary personalities.
This debut romance ticks all the boxes of a must-read, with plenty of bite giving it edge.Pub Date: Sept. 12, 2023
ISBN: 9780593448120
Page Count: 448
Publisher: Dial Press
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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