by Kate Greene ‧ RELEASE DATE: July 14, 2020
Living on “Mars” may have changed Greene, but her journey of self-exploration is unlikely to change many readers.
A set of loosely connected personal essays written during one of NASA’s simulated missions to Mars.
In her first book, laser physicist–turned-writer Greene sets out to use the wisdom of “human explorers on Mars [to] inspire new ways to sustain our lives and ecosystems back on Earth.” It’s a laudable goal, but the resulting collection mostly falls flat. Writing from her own experience as second-in-command of the 4-month-long 2013 Hawai’i Space Exploration Analog and Simulation (HI-SEAS) mission, the author chronicles her life’s changes refracted through the prism of living in tight quarters with other crew members, who all “brought their own projects to the mission.” Over the course of the narrative, we learn about Greene’s failing marriage and the importance of retaining a rent-controlled apartment in San Francisco; the death of her brother; her parents’ house in Kansas, where they have lived for decades; and the fact that because of the infamous Tuskegee syphilis experiments, Greene had to sign forms consenting to be a research subject. In going from “writing like [a] science journalist...to someone who was writing herself into a story,” however, the author drops the more interesting threads involving space exploration. Greene helpfully coins the term “technoschmerz” to describe the anguish caused by the disconnection between what we expect from technology—e.g., moonshots and Mars missions—and the confusion, emotional rifts, and anxiety it produces as it separates us from one another. Recalling Frank Borman, commander of the 1968 Apollo 8 mission that produced the iconic Earthrise photograph, Greene claims that only poets could capture the grandeur of Earth viewed from space. Technoschmerz en route to Mars also may be the domain of poets, but that poem has yet to be written.
Living on “Mars” may have changed Greene, but her journey of self-exploration is unlikely to change many readers.Pub Date: July 14, 2020
ISBN: 978-1-250-15947-2
Page Count: 240
Publisher: St. Martin's
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: April 15, 2020
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by Jennette McCurdy ‧ RELEASE DATE: Aug. 9, 2022
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
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The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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Best Books Of 2015
Kirkus Prize
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National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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