A wonderfully realized introduction to a fascinating, long-overlooked woman.
Josephine Cochrane saw a need and overcame obstacles to find a solution.
She resented the time that was taken by the job of hand-washing stacks of dishes. Josephine’s mantra became “There must be a better way!” and, stirred to create a device that would end this onerous task, she studied past attempts, sketched, measured, calculated, tinkered, and designed, and began building the hand-cranked machine with the aid of George Butters, a mechanic and, later, her business partner. Her husband’s death called a halt for a long time as she slowly paid off debts. She then returned to her efforts and finally received a patent in 1886. Further difficulties ensued as Josephine attempted to start a manufacturing business, as investors would not back a woman. But when her dishwashing machine won first prize at the Chicago World’s Fair in 1893, she was on her way to great success supplying dishwashers to hotels, restaurants, schools, and hospitals, always improving with more patents. Though Cochrane’s may not be a household name, Hannigan seeks to change that, presenting the events chronologically and factually, interspersing the narration with quotes and information about other inventors of the period, women included. Green’s bright digital illustrations capture Josephine’s determination and emotions and enhance the text with diagrams, sketches, and charming homey details, including dishes and tools floating by. Cochrane was White; some background characters are diverse. (This book was reviewed digitally.)
A wonderfully realized introduction to a fascinating, long-overlooked woman. (author’s note, copy of patent, notable women inventors, photos, timeline of fascinating inventions, sources, picture credits) (Informational picture book. 8-11)Pub Date: March 14, 2023
ISBN: 978-1-63592-621-7
Page Count: 40
Publisher: Calkins Creek/Astra Books for Young Readers
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the...
The legendary mime is introduced to a new generation, though not entirely successfully.
As a child, Marceau loved to silently entertain his friends, like his idol, Charlie Chaplin. During the Nazi occupation of France, Marcel and his brother took on new identities in the French Underground, where they forged documents for Jewish children and helped many to escape to Switzerland. Spielman assumes that her young audience will understand references to deportation and concentration camps; unfortunately for those that don't, her matter-of-fact tone speaks more of adventure than deadly peril. Her tone subtly changes when she lovingly describes Marceau’s training and development as a mime and his stage persona of Bip the clown, admiring his skills in the “art of silence” that won him international renown. But here too, comparisons to the Little Tramp and Pierrot may be outside readers’ frame of reference. Though the illustrations carefully complement the textual content with period details, Gauthier’s cartoon faces are all nearly identical, with only the screen image of Chaplin and Marceau’s Bip having distinctive features. A double-page spread at the conclusion provides photographs of Bip in action and is the only clear indication of Marceau’s stagecraft.
At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the book looks elsewhere. (Picture book/biography. 8-10)Pub Date: Sept. 1, 2011
ISBN: 978-0-7613-3961-8
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
Part of Sobol’s Traveling Photographer series, this useful introduction to a famous tourist destination has unexpected child...
A photographer explores the ancient Cambodian temple and modern Siem Reap looking for odd angles, surprises and reflections of today's world in the ancient carvings.
As promised, except for a few traditional postcard images, these photographs are unusual and often feature the children who sell fruit and souvenirs at the monument gates and play among the 1,000-year-old ruins. The centerpiece is a photo album of modern Cambodian life with accompanying images of ancient carvings showing similar activities. Sobol weaves a brief explanation of the Khmer Empire and their ruined temple complex into his travelogue. He visits a dance studio, where he sees students practicing traditional gestures just like those of dancers on the temple walls, and a school where youngsters learn English. At the end, these children lead Sobol past the ancient trees and stone rubble in Ta Prohm to a surprising carving, their favorite. While not quite the secret Sobol portrays, since photographs of this curious creature have been available on the Web for several years, this image is sure to appeal to child readers as much as it does to visitors.
Part of Sobol’s Traveling Photographer series, this useful introduction to a famous tourist destination has unexpected child appeal. (facts, glossary, unlabeled world map) (Nonfiction. 8-11)Pub Date: Aug. 1, 2011
ISBN: 978-0-7636-4166-5
Page Count: 48
Publisher: Candlewick
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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