From the author of When They Took Away the Man in the Moon (1993), etc., a strange novel about two society women who attempt to create a feminist utopia in turn-of-the-century Kansas. Lydia, an American in Paris, is immersed as the story begins in a cat-and-mouse romance with a shifty Lothario who mistakes her for one of the hordes of wealthy American girls sent to Europe to find titled husbands. Lydia, however, has little to offer: Her tiny fortune is being whittled away by the demands of Parisian society. Newly thrown into the marriage game is the headstrong Charlotte, and she too is indifferent to the prospect of marriage, which she interprets as servitude. After a series of broken hearts, familial and romantic, the two become fast friends (despite Lydia's pathological need to control Charlotte) and decide to become pioneers. In search of their ``essence,'' the two hope to escape the rigid class and social distinctions of an ostentatious society in favor of a simpler, more meaningful way of life. Or as Charlotte chirps: ``We can discover what it really means to be a woman and, in the process, liberate ourselves from other people's definitions. We can be free!'' So with trunkloads of enthusiasm, the two purchase land in Kansas, building two identical homes, connected by a walkway, christening their new world Twin House Farms. A quaint idea, though the charm dampens and they forget all about capturing their ``essence'' when confronted by the hardships of prairie life. Suspicious of a group of single women farmers (Charlotte and Lydia invite their circle of friends to join them) the townsfolk are understandably wary, especially since Lydia and Charlotte condescend at every turn. After years of hardship, the women are defeated thoroughly by both external and internal forces. Weighed down by heavy-handed and rather simplistic polemics, the already unappealing characters here have no chance of flying. A disappointing second novel.
Pub Date: Sept. 1, 1996
ISBN: 0-517-59956-2
Page Count: 352
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
BOOK REVIEW
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
Categories: GENERAL FICTION | FAMILY LIFE & FRIENDSHIP
BOOK TO SCREEN
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