OUT OF EDEN

From the author of When They Took Away the Man in the Moon (1993), etc., a strange novel about two society women who attempt to create a feminist utopia in turn-of-the-century Kansas. Lydia, an American in Paris, is immersed as the story begins in a cat-and-mouse romance with a shifty Lothario who mistakes her for one of the hordes of wealthy American girls sent to Europe to find titled husbands. Lydia, however, has little to offer: Her tiny fortune is being whittled away by the demands of Parisian society. Newly thrown into the marriage game is the headstrong Charlotte, and she too is indifferent to the prospect of marriage, which she interprets as servitude. After a series of broken hearts, familial and romantic, the two become fast friends (despite Lydia's pathological need to control Charlotte) and decide to become pioneers. In search of their ``essence,'' the two hope to escape the rigid class and social distinctions of an ostentatious society in favor of a simpler, more meaningful way of life. Or as Charlotte chirps: ``We can discover what it really means to be a woman and, in the process, liberate ourselves from other people's definitions. We can be free!'' So with trunkloads of enthusiasm, the two purchase land in Kansas, building two identical homes, connected by a walkway, christening their new world Twin House Farms. A quaint idea, though the charm dampens and they forget all about capturing their ``essence'' when confronted by the hardships of prairie life. Suspicious of a group of single women farmers (Charlotte and Lydia invite their circle of friends to join them) the townsfolk are understandably wary, especially since Lydia and Charlotte condescend at every turn. After years of hardship, the women are defeated thoroughly by both external and internal forces. Weighed down by heavy-handed and rather simplistic polemics, the already unappealing characters here have no chance of flying. A disappointing second novel.

Pub Date: Sept. 1, 1996

ISBN: 0-517-59956-2

Page Count: 352

Publisher: Harmony

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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