In this self-help guide for women, an executive coach shares her strategies for building and maintaining confidence.
If anyone’s confidence should have been shattered, it was that of McGuinness (Terminal Ambition, 2012): She was terminated from her position as general counsel of a large company, had a near-fatal accident, got divorced, and was forced to sell her ranch at a loss. To regain her confidence, she writes, “I had to build new neural networks.…I needed to become mindful of my self-criticism and perfectionism and have compassion for myself.” In a book that is both inspirational and practical, McGuinness provides a playbook of the techniques she employed to rebuild her lost confidence. The book’s first section squarely addresses the intriguing reasons why she believes many women are less confident than men, including that “women have more estrogen which discourages risk taking” and familial and societal influences that encourage women to be less aggressive if not demure. The author posits, however, that women can overcome such barriers by focusing on mindfulness and well-being. Toward that end, she offers confidence-building strategies and tactics that involve a formula she describes as: “Intention + Repeated Attention = Confidence.” The book rather sweepingly covers many aspects of confidence, including such topics as authenticity, self-compassion, resilience, and assertiveness. It also defines barriers to greater self-confidence, including perfectionism, self-criticism, and “negative rumination.” In a work-related chapter, the book pointedly discusses such topics as interviewing, performance reviews, and public speaking. The final section features helpful advice about facing setbacks and recommends 52 confidence-boosting exercises or “workouts” to perform every week. Each chapter is brimming with motivational exhortations delivered in punchy paragraphs with engaging subheads; the strategies for overcoming perfectionism include “Adjust Your Standards,” “Limit Meticulousness,” “Re-characterize Mistakes,” and “Minimize Comparisons.” McGuinness is unfailingly positive, dishing out encouragement every chance she gets, as she draws on her experience and relates it to other women’s challenges. The author backs up her insightful strategies with notes that reference a multitude of articles and books, which makes for an even stronger presentation.
A compassionate and energizing guide full of confidence-building ideas.Pub Date: Jan. 11, 2020
ISBN: 978-0-9849901-2-2
Page Count: 266
Publisher: Two XX Press
Review Posted Online: Feb. 3, 2020
Kirkus Reviews Issue: March 15, 2020
Review Program: Kirkus Indie
Categories: GENERAL NONFICTION
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Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
Categories: GENERAL NONFICTION
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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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