A witty tale that oozes “cat”-titude.
Move over, internet cats—this feline has something to say.
Though Edgar’s humans oohed and aahed over him when he was a kitten, now they spend all their time looking at images of other cats online and in print. How to receive the adulation he so deserves? By becoming the most famous cat in the world, of course! Edgar proceeds with his plan (“a three-claw approach”). Step one: “show them how smart he [is].” Step two: “prove he’s star material.” And step three: “call on the wisdom of his ancestors” (his grandfather’s words—“If I fits, I sits”—come to mind). Edgar’s humans aren’t impressed by his ability to scratch his name on the back of the sofa or the dance number he performs on the dining room table. Despondent, he takes a nap and dreams of the fame that eludes him—but perhaps celebrity isn’t all it’s cracked up to be. McKean’s tongue-in-cheek text plays cleverly off the popularity of cats online while capturing the divalike essence of real-life felines. In Justus’ energetic illustrations, Edgar’s an appropriately flamboyant, over-the-top figure, whether busting a move while clad in leg warmers and skates or (in the dream sequence) posing on the cover of Cat Vogue in a crown and ballgown. Edgar’s human family appears to be multiracial; one adult and child are brown-skinned, while the other adult is pale-skinned.
A witty tale that oozes “cat”-titude. (Picture book. 4-8)Pub Date: May 5, 2026
ISBN: 9781464233128
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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