As flashy as a butterfly but needs a swarm of support.
The insect world is buzzing with superpowers!
Jumping on the superhero bandwagon, Messner and Nickell bring readers a fascinating and fun read that is heavy on action but light on the details. Designed like a graphic novel, the book introduces 18 insects that have extraordinary abilities. Along the way, readers learn about the biological classification system and a sampling of insect orders. Nickell’s illustrations keep the pages turning, as insects are presented as the superheroes (or supervillains) of the book: “The Decapitator” (also known as the Asian giant hornet) is surrounded by action lines and has thunderbolts of power emanating from its viselike mandibles. Other details, such as the benday dots backgrounding the yellow information boxes, create a subtle nod to comic books of old. Messner’s text flows smoothly in this action-packed format but suffers from its lack of space, and this compression may cause confusion, as when the text on the yam hawk moth vacillates between the generic and the specific. Other editorial choices are less than pleasing. The first scientific name mentioned includes a phonetic pronunciation guide, but none of the others do. The backmatter is anemic, consisting of a seven-book, two-website bibliography. Based on the format, the book will be popular, but be ready to recommend supplemental titles to readers who expect more than cursory information.
As flashy as a butterfly but needs a swarm of support. (Graphic nonfiction. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4521-3910-4
Page Count: 80
Publisher: Chronicle Books
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
A frank, often funny appreciation of our space program’s high-water mark.
Brown launches the Big Ideas That Changed the World series with a graphic commemoration of the program that put boots on the moon.
Brown assumes the narrative voice of Rodman Law, a wisecracking professional daredevil who attempted to ride a rocket in 1913 (“Yeah, this oughta work”) and beat the odds by surviving the explosion. He opens with a capsule history of rocketry from ancient China to the Mercury and Gemini programs before recapping the Apollo missions. Keeping the tone light and offering nods as he goes to historical figures including Johann Schmidlap (“rhymes with ‘Fmidlap’ ”), “cranky loner” Robert Goddard, and mathematician Katherine Johnson, he focuses on technological advances that made space travel possible and on the awesome, sustained effort that brought President John F. Kennedy’s “Big Idea” to fruition, ending the narrative with our last visit to the moon. Aside from the numerous huge, raw explosions that punctuate his easy-to-follow sequential panels, the author uses restrained colors and loose, fluid modeling to give his mildly cartoonish depictions of figures and (then) cutting-edge technology an engagingly informal air. He doesn’t gloss over Laika’s sad fate or the ugly fact that Wernher von Braun built rockets for the Nazis with “concentration-camp prisoners.” Occasional interjections and a closing author’s note also signal Brown’s awareness that for this story, at least, his cast had to be almost exclusively white and male.
A frank, often funny appreciation of our space program’s high-water mark. (index, endnotes, resource lists) (Graphic nonfiction. 8-11)Pub Date: March 5, 2019
ISBN: 978-1-4197-3404-5
Page Count: 136
Publisher: Amulet/Abrams
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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