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MARTY MCGUIRE

From the Marty McGuire series , Vol. 1

Believable and endearing characters in a realistic elementary-school setting will be just the thing for fans of Clementine...

When the promised land of third grade does not pan as promised, Marty McGuire finds herself playing a completely new role.

Mrs. Aloi, her maracas-shaking teacher, is putting together the parts for the class play of The Frog Prince, and she decides that Marty is perfect for the part of the princess. Marty, who prefers learning about frog anatomy to kissing or, worse, throwing a frog, is horrified. She gets little support from her scientist mother or her teacher father—a princess she shall be! On top of this bad news, Marty’s best friend has joined the girly-girl group and does not seem interested in playing outside and pretending to be Jane Goodall anymore. Messner gets all the details of third grade right: the social chasm between the girls who want to be like the older kids and the ones who are still little girls, the Mad Minutes for memorizing arithmetic facts, the silly classroom-control devices teachers use and the energy students of this age put into projects like class plays. Floca’s black-and-white sketches are filled with movement and emotion and are frequent enough to help new chapter-book readers keep up with this longer text.

Believable and endearing characters in a realistic elementary-school setting will be just the thing for fans of Clementine and Ramona. (Fiction. 7-10)

Pub Date: May 1, 2011

ISBN: 978-0-545-14244-1

Page Count: 144

Publisher: Scholastic

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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THE SHOW MUST GO ON!

From the Three-Ring Rascals series , Vol. 1

Most children will agree the book is “smafunderful (smart + fun + wonderful).” (Graphic/fiction hybrid. 7-10)

In this entertaining chapter book, the first in a series, readers meet kind Sir Sidney and the gentle performers and hands in his circus. But Sir Sidney is tired and leaves the circus under the management of new-hire Barnabas Brambles for a week.

That Sir Sidney is beloved by all is quickly established, presenting a sharp contrast to the bully Brambles. The scoundrel immediately comes up with a “to do” list that includes selling the animals and eliminating the mice Bert and Gert. (Gert is almost more distressed by Brambles’ ill-fitting suit and vows to tailor it.) Revealed almost entirely through dialogue, the put-upon animals’ solidarity is endearing. The story, like the circus train now driven by the Famous Flying Banana Brothers, takes absurd loops and turns. The art is fully integrated, illustrating the action and supplementing the text with speech bubbles, facsimile letters and posters, Brambles’ profit-and-loss notes, examples of Gert’s invented vocabulary and more. Brambles’ plans go awry, of course, and he gets his comeuppance. With Bert and Gert acting as his conscience, along with a suit from Gert that finally fits and a dose of forgiveness, Brambles makes a turnaround. Sensitive children may doubt Sir Sidney’s wisdom in leaving his animals with an unscrupulous man, and the closing message is a tad didactic, but that doesn’t blunt the fun too much.

Most children will agree the book is “smafunderful (smart + fun + wonderful).” (Graphic/fiction hybrid. 7-10)

Pub Date: Sept. 10, 2013

ISBN: 978-1-61620-244-6

Page Count: 144

Publisher: Algonquin

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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