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THE RADIUM GIRLS

THE DARK STORY OF AMERICA'S SHINING WOMEN

Moore offers such vivid portraits of suffering that certain passages can be difficult to read, but this is an important...

British author Moore (Felix the Railway Cat, 2017) takes a slice of ugly American history from nearly a century ago, telling a compelling narrative that could be ripped from recent headlines.

A few years ago, while living in London, the author went online to search for “great plays for women,” and she found These Shining Lives, a play by Melanie Marnich about the radium poisonings and subsequent workplace-related deaths of factory employees, primarily in Ottawa, Illinois, and Newark, New Jersey, in the 1920s and 1930s. Eager to learn more, Moore traveled to the United States to research the deaths. She found two narrowly focused, quasi-academic books about the saga but nothing for general audiences. Deciding to focus on the employers, the United States Radium Corporation in New Jersey and the Radium Dial Company in Illinois, Moore alternates chapters focusing on more than 15 women employed in Newark and a dozen women in Ottawa. Each one of them became sick from their piecework painting numerals on clock faces using a radium-infused radioactive substance that allowed the products to glow in the dark. Many of the employees died while in their 20s and 30s after years of agonizing illnesses. The employers, as well as the scientists and physicians attending to the women, denied liability for the suffering and deaths. At first, the employers claimed that the radium was benign. Later, when the toxicity had been documented, the employers blamed the women workers for careless use even though the women were observing workplace protocols. Moore clearly separates the heroines from the villains throughout this deeply researched book, and she never masks her outrage. A handful of physicians, public health investigators, and lawyers obtained some monetary awards for the victims, but the money was far from sufficient for adequate justice.

Moore offers such vivid portraits of suffering that certain passages can be difficult to read, but this is an important story well told.

Pub Date: April 18, 2017

ISBN: 978-1-4926-4935-9

Page Count: 496

Publisher: Sourcebooks

Review Posted Online: May 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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