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TALK OF ANGELS

The skilled prose of Irish author O'Brien (18971974) transmutes the material of a conventional coming-of-age tale (``banned in Ireland in 1936 for its frank depiction of lesbianism'') into a rich, absorbing study of character and culture. It's 1922, and Mary Lavelle, the 22-year-old daughter of a widowed doctor in Ireland, is quiet and seemingly conventional, yet she has two qualities that are bound to attract notice: her startling beauty and her yearning to become an independent wanderer. Mary is engaged to nice-but-dull John MacCurtain, a demobilized soldier now working as shipping clerk. John cautiously insists on waiting for marriage until he has a good income, and so Mary, feeling fondness but no great ardor for her fiancÇ, decides to make use of the time to become a governess in Spain—a then traditional occupation for rootless Irishwomen. She finds work tutoring the daughters of a family headed by the aristocratic Don Pablo Areavaga, whose marriage—complicated, sexless, but not unloving—is explored in depth. Despite initial homesickness, Mary soon takes to her charges, who include the vain, gregarious Pilar and the spirited, amusingly precocious Milagros. With her youth and looks, their new governess provokes comment in the spinsterish community of Irish ``misses,'' but she nevertheless finds friends in Rosie O'Toole, a spunky eccentric, and Agatha Conlon, an austere, mysterious semi-recluse. As Mary develops a taste for bullfights and an infatuation with Spain in general, she comes to find answering John's daily letters a chore. Events reach a crisis when she meets Don Pablo's married son, Juanito—while, at the same time, Agatha is developing her own illicit passion for Mary. Passive and impressionable Mary is sometimes a frustrating heroine, but O'Brien writes with a striking grace and acuity that illuminate not only the landscape of but the complexity of the people living in it. (Film rights to Miramax)

Pub Date: June 27, 1997

ISBN: 0-7868-6191-6

Page Count: 300

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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