A concise and intriguing survey of the relentless fight for social change.
An examination of social movements that changed U.S. history and culture.
The team of Schatz and Stahl, collaborators on the Rad Women series that explores the impacts of women and progressive movements, in their latest entry present challenges to the status quo in U.S. history. In addition to centering little-known incidents, the focus is on grassroots organizations and underrepresented individuals who pushed for change and responded to injustice. When familiar narratives are included, it is with an original perspective. The creators are clear about their point of view: “These are the stories and truths that many people would prefer to deny, the details that often get ignored, glossed over, sanitized, or left out—especially in history books.” The role of Harriet Tubman as a spy and operative in the Civil War’s Combahee River Raid highlights another side of her work as a liberator of enslaved persons. A look at Jane Addams and Hull House shines a light on support for immigrants in the late 19th century. Details about the Black Lives Matter and the Youth Climate movements provide useful context about contemporary activism. Attention is also paid to the arts, including music, theater, and visual art. The lively writing and the complementary black-and-white illustrations make this an enticing read. Useful sidebars and additional definitions expand upon the main text.
A concise and intriguing survey of the relentless fight for social change. (notes on the illustrations, index) (Nonfiction. 12-16)Pub Date: March 3, 2020
ISBN: 978-1-9848-5683-8
Page Count: 176
Publisher: Ten Speed Press
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
PROFILES
In either iteration, a provocative counter to conventional, blinkered views of our national story.
A classic framing of this country’s history from a multicultural perspective, clumsily cut and recast into more simplified language for young readers.
Veering away from the standard “Master Narrative” to tell “the story of a nation peopled by the world,” the violence- and injustice-laden account focuses on minorities, from African- Americans (“the central minority throughout our country’s history”), Mexicans and Native Americans to Japanese, Vietnamese, Sikh, Russian Jewish and Muslim immigrants. Stefoff reduces Takaki’s scholarly but fluid narrative (1993, revised 2008) to choppy sentences and sound-bite quotes. She also adds debatable generalizations, such as a sweeping claim that Native Americans “lived outside of white society’s borders,” and an incorrect one that the Emancipation Proclamation “freed the slaves.” Readers may take a stronger interest in their own cultural heritage from this broad picture of the United States as, historically, a tapestry of ethnic identities that are “separate but also shared”—but being more readable and, by page count at least, only about a third longer, the original version won’t be out of reach of much of the intended audience, despite its denser prose.
In either iteration, a provocative counter to conventional, blinkered views of our national story. (endnotes, glossary, index) (Nonfiction. 12-15)Pub Date: Aug. 28, 2012
ISBN: 978-1-60980-416-9
Page Count: 368
Publisher: Seven Stories
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Even rabid fans of Lennon or the 1960s will find new information and angles in this searching study.
On the verge of her 80th birthday (Feb. 18, 2013), Ono steps out of her iconic late husband’s shadow for a sympathetic profile.
The authors present her as a groundbreaking creative artist whose work has been misunderstood, not to say derided, for decades and who was unjustly vilified as the woman who broke up the Beatles. They describe a comfortable upbringing in Japan and the United States, childhood experiences in World War II and artistic development as part of New York’s avant-garde scene in the 1950s and early ’60s. The book goes on to chronicle her relationships with various husbands, including “soul mate” John Lennon, and her two children, life as a peace-activist celebrity in the ’70s, and (in much less detail) her activities, honors and exhibitions after Lennon’s death. The account is occasionally trite (“Yoko and John were stressed to the max”) or platitudinous, and it’s unlikely to persuade younger (or any) readers to appreciate Yoko’s creations—which run to works like an 80-minute film of naked rumps walking by and sets of chess pieces that are all the same color—as great art. Nevertheless, it does impart a good sense of conceptual and performance art’s purposes and expressions along with a detailed portrait of a complex woman who for several reasons has a significant place in our cultural history.
Even rabid fans of Lennon or the 1960s will find new information and angles in this searching study. (photos, timeline to 2009, resource lists) (Biography. 12-15)Pub Date: Jan. 1, 2013
ISBN: 978-1-4197-0444-4
Page Count: 184
Publisher: Amulet/Abrams
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
PROFILES
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