Hollywood rallies for a unique charitable venture.
In 2010, award-winning actress Winslet narrated the documentary A Mother’s Courage about the plight of Margret Ericsdottir, loving mother to teenaged son Keli, who was stricken with nonverbal autism. The film drew widespread attention for its stark depiction of a child silenced by the ailment, able to communicate with only pen and paper, and of the lack of support and resources available to families surviving with it. Ericsdottir and Winslet remained close, yet as a mother of two “verbal, expressive, affectionate children,” Winslet continued to be moved by Keli’s poetry and creative writing, along with the stories Margret shared by email. In a particularly heart-rending section, Ericsdottir shares her heartbreaking story of love and devotion to a son struggling to communicate everything from food choices to nagging physical pain from osteoporosis. The humanitarian actress soon resolved to do something beneficial for the cause. She began sending around an old tattered hat to celebrities, requesting they photograph themselves wearing it along with a witty, personally worded expression. The photographs—ranging from the humorous (Conan O’Brien, Steven Soderbergh) to the heartfelt (Reese Witherspoon, Oprah Winfrey) to the bizarre (Woody Allen, Edward Burns)—are all prefaced by the powerfully poignant “first words” of ten pictured individuals with nonverbal autism. Many pronouncements overshadow their accompanying photographs. Kylie Minogue offers, “I can still hear you, even though the show has finished. Can you hear me?”; both South African designer Albertus Swanepoel and Jodie Foster plead, “Don’t give up on me.” The book’s proceeds fund “The Golden Hat Foundation” to create autistic awareness and assisted-living campuses for those affected. A moving, sanguine labor of love.
Pub Date: April 3, 2012
ISBN: 978-1-4516-4543-9
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: Jan. 31, 2012
Kirkus Reviews Issue: Feb. 15, 2012
A straightforward tale of kindness and paying it forward in 1980s New York.
When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.
Pub Date: Nov. 1, 2011
ISBN: 978-1-4516-4251-3
Page Count: 288
Publisher: Howard Books/Simon & Schuster
Review Posted Online: July 26, 2011
Kirkus Reviews Issue: Sept. 1, 2011
BOOK REVIEW
A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.
Photographer and author Stanton returns with a companion volume to Humans of New York (2013), this one with similarly affecting photographs of New Yorkers but also with some tales from his subjects’ mouths.
Readers of the first volume—and followers of the related site on Facebook and elsewhere—will feel immediately at home. The author has continued to photograph the human zoo: folks out in the streets and in the parks, in moods ranging from parade-happy to deep despair. He includes one running feature—“Today in Microfashion,” which shows images of little children dressed up in various arresting ways. He also provides some juxtapositions, images and/or stories that are related somehow. These range from surprising to forced to barely tolerable. One shows a man with a cat on his head and a woman with a large flowered headpiece, another a construction worker proud of his body and, on the facing page, a man in a wheelchair. The emotions course along the entire continuum of human passion: love, broken love, elation, depression, playfulness, argumentativeness, madness, arrogance, humility, pride, frustration, and confusion. We see varieties of the human costume, as well, from formalwear to homeless-wear. A few celebrities appear, President Barack Obama among them. The “stories” range from single-sentence comments and quips and complaints to more lengthy tales (none longer than a couple of pages). People talk about abusive parents, exes, struggles to succeed, addiction and recovery, dramatic failures, and lifelong happiness. Some deliver minirants (a neuroscientist is especially curmudgeonly), and the children often provide the most (often unintended) humor. One little boy with a fishing pole talks about a monster fish. Toward the end, the images seem to lead us toward hope. But then…a final photograph turns the light out once again.
A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.Pub Date: Oct. 13, 2015
ISBN: 978-1-250-05890-4
Page Count: 432
Publisher: St. Martin's
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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