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ANGELINA AND THE PRINCESS

From the Angelina Ballerina series

If Holabird can continue to come up with empathic roles for Angelina, the series should have a devoted following.

Angelina the winsome mouse ballerina, who debuted auspiciously last year, here encounters the perils of the performing life. On the day of tryouts for a special Royal Performance, she sneaks off with her ballet bag unbeknownst to her mother—busy in the kitchen of their thatched English snuggery (while a mouse Pierrot, one of many visual grace-notes, slumps mournfully at the window). But once on stage she gets dizzy and falls—and the leading roles in the Dance of the Flower Fairies go to Flora and Felicity. Mama is reproachful, then consoling, then affirmative: "You can still do your best with whatever part you are given, and that will help the whole performance." Angelina not only learns her own part, she memorizes the Dance of the Flower Fairies—and when Flora sprains her ankle the day of the Royal Performance, who do you think…? But this is a kindly story, so Flora gets to sit right next to the Princess of Mouseland—whom she eyes worshipfully, while all other eyes are on the stage. Like its predecessor, this is a dainty, even delectable-looking book without the least preciousness. If Holabird can continue to come up with empathic roles for Angelina, the series should have a devoted following. (Picture book. 4-8)

Pub Date: Oct. 1, 1984

ISBN: 978-1-5344-6961-7

Page Count: 32

Publisher: Clarkson Potter

Review Posted Online: May 21, 2010

Kirkus Reviews Issue: Sept. 15, 1984

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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