A tale about knowledge, power, and trust that reminds readers we used to speak with animals and still do—it already feels...

READ REVIEW

THE GIRL AND THE WOLF

A berry-picking excursion turns potentially frightening when a girl wanders from her mother and encounters a wolf.

Despite her mother’s warning to stay close as night approaches, the girl finds herself lost in the woods and feeling “cold and scared.” In classic wolf-narrative style, a “tall grey wolf with big white teeth” appears, but unlike those in many traditional tales, this lupine offers help. Only by balancing experiential knowledge (identifying berries that are safe to eat) with instinctual trust (following the wolf’s guidance) can the girl hope to reunite with her family. Poetic descriptions and spare prose combine with simple yet textured mixed-media illustrations to create a story with a deeply cinematic quality. Readers will likely infer the girl and her mother are First Nations peoples due to illustrator Flett’s (Cree-Métis) visual cues of brown skin, black hair, and moccasins and through author Vermette’s (Métis) textual reference of tying tobacco in cloth to leave as a thank-you. Muted, earth-toned images give depth while allowing the girl to stand out in her red dress. Though similar to stories from the oral tradition or even the European canon, this is “a completely made-up story.” It’s got a worthy message for any reader to enjoy, and Indigenous and First Nations readers will especially connect with characters who nourish traditional ways of knowing while existing in an active, contemporary present.

A tale about knowledge, power, and trust that reminds readers we used to speak with animals and still do—it already feels like a classic. (author’s note) (Picture book. 3-5)

Pub Date: Feb. 5, 2019

ISBN: 978-1-926886-54-1

Page Count: 32

Publisher: Theytus Books

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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Readers are likely to love it to the moon and back.

WILL YOU BE MY FRIEND?

Little Nutbrown Hare ventures out into the wide world and comes back with a new companion in this sequel to Guess How Much I Love You (1994).

Big Nutbrown Hare is too busy, so after asking permission, Little Nutbrown Hare scampers off over the rolling meadow to play by himself. After discovering that neither his shadow nor his reflection make satisfactory playmates (“You’re only another me!”), Little Nutbrown comes to Cloudy Mountain…and meets “Someone real!” It’s a white bunny who introduces herself as Tipps. But a wonderful round of digging and building and chasing about reaches an unexpected end with a game of hide-and-seek, because both hares hide! After waiting a long time to be found, Little Nutbrown Hare hops on home in disappointment, wondering whether he’ll ever see Tipps again. As it turns out, it doesn’t take long to find out, since she has followed him. “Now, where on earth did she come from?” wonders Big Nutbrown. “Her name is Tipps,” Little Nutbrown proudly replies, “and she’s my friend.” Jeram’s spacious, pale-toned, naturalistic outdoor scenes create a properly idyllic setting for this cozy development in a tender child-caregiver relationship—which hasn’t lost a bit of its appealing intimacy in the more than 25 years since its first appearance. As in the first, Big Nutbrown Hare is ungendered, facilitating pleasingly flexible readings.

Readers are likely to love it to the moon and back. (Picture book. 3-5)

Pub Date: Sept. 29, 2020

ISBN: 978-1-5362-1747-6

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug.

THE HUG

What to do when you’re a prickly animal hankering for a hug? Why, find another misfit animal also searching for an embrace!

Sweet but “tricky to hug” little Hedgehog is down in the dumps. Wandering the forest, Hedgehog begs different animals for hugs, but each rejects them. Readers will giggle at their panicked excuses—an evasive squirrel must suddenly count its three measly acorns; a magpie begins a drawn-out song—but will also be indignant on poor hedgehog’s behalf. Hedgehog has the appealingly pink-cheeked softness typical of Dunbar’s art, and the gentle watercolors are nonthreatening, though she also captures the animals’ genuine concern about being poked. A wise owl counsels the dejected hedgehog that while the prickles may frighten some, “there’s someone for everyone.” That’s when Hedgehog spots a similarly lonely tortoise, rejected due to its “very hard” shell but perfectly matched for a spiky new friend. They race toward each other until the glorious meeting, marked with swoony peach swirls and overjoyed grins. At this point, readers flip the book to hear the same gloomy tale from the tortoise’s perspective until it again culminates in that joyous hug, a book turn that’s made a pleasure with thick creamy paper and solid binding.

Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug. (Picture book. 3-5)

Pub Date: April 2, 2019

ISBN: 978-0-571-34875-6

Page Count: 48

Publisher: Faber & Faber

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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